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Broadsheet, relating, fear, kidnappers, kidnapper, grabbing, child, field, horse carriage

Broadsheet, relating, fear, kidnappers, kidnapper, grabbing, child, field, horse carriage


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Broadsheet, relating, fear, kidnappers, kidnapper, grabbing, child, field, horse carriage

Broadsheet relating to a fear of kidnappers, a kidnapper grabbing a child in a field while a horse carriage waits in the background, Jose Guadalupe Posada (Mexican, 1851-1913), ca. 1920 (published)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14082054

© Copyrighted

1851 1913 18511913 1851–1913 Background Broadsheet Fear Field Jose Guadalupe Posada Joseguadalupe Posada Mexican Relating Grabbing Horse Carriage Kidnapper Kidnappers Waits


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EDITORS COMMENTS
This print from the Liszt Collection, titled "Broadsheet Relating to a Fear of Kidnappers" transports us back in time to an era filled with intrigue and apprehension. Created by the talented Mexican artist Jose Guadalupe Posada around 1920, this piece captures a chilling scene that evokes a sense of danger and vulnerability. In the foreground, we witness a kidnapper forcefully grabbing hold of an innocent child in an open field. The child's expression is one of fear and helplessness, while the kidnapper's sinister intentions are palpable. This image serves as a stark reminder of the fears that plagued society during this period. Meanwhile, in the background, a horse carriage patiently waits amidst this unsettling tableau. Its presence adds another layer of tension to the composition - will it be used as an escape vehicle or perhaps even aid in carrying out this nefarious act? Posada's masterful use of broadsheet art style further enhances the impact of this print. With its bold lines and striking contrasts, every detail comes alive on paper. As we gaze upon this artwork, we cannot help but feel drawn into its narrative - compelled to unravel its story and understand what fate awaits both victim and captor. It serves as a powerful testament to Posada's ability to capture raw emotions through his artistry and leaves us pondering about our own fears lurking within society today.

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