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Allegory Transience transience young woman standing

Allegory Transience transience young woman standing


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Liszt Collection

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Allegory Transience transience young woman standing

Allegory of Transience, Allegory of transience. A young woman standing in a window points to a skull and a music book lying on the window sill on a Persian rug. On the right a poppy in a pot. The woman is holding flowers in her apron. A boy is blowing bubbles behind the woman. Willem van Mieris (attributed to), 1670 - 1681, panel, oil paint (paint), h 36 cm × w 28 cm d 7.4 cm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19555325

© Artokoloro


EDITORS COMMENTS
In this print titled "Allegory of Transience" we are transported to a scene that is both thought-provoking and visually stunning. The young woman, elegantly dressed, stands gracefully in front of a window adorned with a Persian rug. Her gaze is directed towards two objects on the windowsill - a skull and an open music book. These contrasting symbols represent the fleeting nature of life and the enduring power of art. As she points towards these objects, her expression carries a sense of contemplation and reflection. In her apron, she holds flowers delicately, perhaps symbolizing beauty and fragility. Behind her, a mischievous boy blows bubbles into the air, reminding us of the transient nature of childhood innocence. The artist behind this masterpiece is believed to be Willem van Mieris or someone closely associated with him during the late 17th century. The use of oil paint on panel brings depth and richness to every detail captured within this composition. To further enhance the symbolism present in this artwork, on the right side we see a poppy plant flourishing in its pot. Poppies have long been associated with sleep and death but also carry connotations of rebirth and remembrance. This print from Liszt Collection invites us to ponder upon life's transitory nature while appreciating its inherent beauty through art's timeless allure.

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