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Poster Print : Larkin - Richard Sackville J920333

Larkin - Richard Sackville J920333



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Historic England

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Larkin - Richard Sackville J920333

KENWOOD HOUSE, SUFFOLK COLLECTION, London. " Richard Sackville, 3rd Earl of Dorset " 1613 by William LARKIN (died 1619). Sometimes mistaken for his brother Edward due to an erroneous inscription

Historic England is the public body that champions and protects England's historic places

Media ID 436057

© Historic England

Lace Paintings Stuart


A1 (84.1 x 59.4cm) Poster Print

Introducing the exquisite "Larkin - Richard Sackville J920333" poster print from our Media Storehouse collection. This stunning image, sourced from the Historic England Photo Library, showcases a portrait of Richard Sackville, 3rd Earl of Dorset, captured in a painting by the renowned artist William Larkin in 1613. The portrait, part of the Suffolk Collection at Kenwood House in London, offers a glimpse into the noble past of England's history. Bring the rich heritage of the past into your home or office with this beautifully printed and framed poster, a timeless addition to any decor.

A1 Poster (84.1 x 59.4cm, 33.1" x 23.4" inches) printed on 170gsm Satin Poster Paper. Securely packaged, rolled and inserted into a strong mailing tube and shipped tracked. Poster Prints are of comparable archival quality to our Photographic prints, they are simply printed on thinner Poster Paper. Whilst we only use Photographic Prints in our frames, you can frame Poster Prints if they are carefully supported to prevent sagging over time.

Poster prints are budget friendly enlarged prints in standard poster paper sizes (A0, A1, A2, A3 etc). Whilst poster paper is sometimes thinner and less durable than our other paper types, they are still ok for framing and should last many years. Our Archival Quality Photo Prints and Fine Art Paper Prints are printed on higher quality paper and the choice of which largely depends on your budget.

Estimated Image Size (if not cropped) is 48.6cm x 84.1cm (19.1" x 33.1")

Estimated Product Size is 59.4cm x 84.1cm (23.4" x 33.1")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Europe > United Kingdom > England > Dorset > Related Images

> Europe > United Kingdom > England > Paintings

> Europe > United Kingdom > England > Suffolk > Related Images

> Historic England > Fine Art > Kenwood House paintings

> Historic England > Fine Art > Male portraits

> Historic England > Heritage > English Stately Homes > Kenwood House > Art at Kenwood - the Suffolk


EDITORS COMMENTS
This striking portrait captures the noble visage of Richard Sackville, 3rd Earl of Dorset, painted by the talented artist William Larkin in 1613. The Earl is depicted in grand Stuart-era attire, wearing a red doublet adorned with intricate lace detailing. The richness of the fabric and the meticulous rendering of the lacework are a testament to Larkin's skill as a painter. The portrait was created during a period of great change in English history, as the country transitioned from the Elizabethan era to the reign of King James I. Sackville, a prominent figure in the court of King James, is shown here with an air of confidence and authority, reflecting his status as a powerful nobleman. The portrait is part of the Suffolk Collection at Kenwood House in London, which is managed by Historic England. The Collection is renowned for its exceptional quality and breadth, showcasing a diverse range of art and historical objects from various periods. This portrait of Richard Sackville is a particular highlight, not only for its artistic merit but also for the insights it provides into the fashion and culture of the early 17th century. Despite the clear inscription on the portrait identifying the sitter as Richard Sackville, there have been occasional errors in the past, leading some to mistakenly believe that this is a portrait of his brother Edward. However, the careful examination of historical records and the expert analysis of the painting itself have confirmed the true identity of the subject.

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