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Young Man Riding a Giant Tortoise (parody of Urashima Taro), c. 1767 / 68

Young Man Riding a Giant Tortoise (parody of Urashima Taro), c. 1767  /  68


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Young Man Riding a Giant Tortoise (parody of Urashima Taro), c. 1767 / 68

Young Man Riding a Giant Tortoise (parody of Urashima Taro), c. 1767/68

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Media ID 24371327

© Heritage Art/Heritage Images

Chuban Fisherfolk Fisherman Fishermen Fishing Giant Harunobu Harunobu Suzuki Large Myth Orange Orange Colour Portraitarts Of Asia Reptile Reptiles Setting Sun Sunset Suzuki Harunobu Tortoise Urashima Taro Woodcutcolour Woodblock Print Block Printing Green Colour Kimono Parody Satirical Tokugawa Period Traditional Dress Woodblock Woodblock Printing Young Man Young Men


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> Animals > Reptiles > Turtles > Tortoises

> Arts > Artists > H > Suzuki Harunobu

> Arts > Artists > J > Japanese School Japanese School

> Arts > Pop art > Satire > Satirical artwork

> Asia > Japan > Related Images


EDITORS COMMENTS
This print by Suzuki Harunobu, titled "Young Man Riding a Giant Tortoise (parody of Urashima Taro), c. 1767/68" transports us to the vibrant world of Edo-period Japan. The artist's mastery of woodblock printing is evident in the intricate details and vivid colors that bring this scene to life. In this satirical piece, we see a young man dressed in traditional Japanese clothing, known as kimono, riding atop a giant tortoise. The orange and green hues create a striking contrast against the setting sun, adding an ethereal quality to the composition. Harunobu skillfully combines elements from mythology and astronomy with everyday life in ancient Japan. The parody of Urashima Taro, a popular folk tale character who travels to an underwater kingdom on the back of a turtle, adds depth and intrigue to the artwork. The image captures not only the beauty of nature but also reflects upon societal norms and cultural traditions during this period. It invites viewers to contemplate themes such as human-animal relationships and our place within the natural world. Displayed at the Art Institute Chicago's Asian Art Gallery, this print serves as a testament to Harunobu's artistic prowess and his contribution to ukiyo-e -a genre focused on depicting scenes from daily life- which continues to inspire artists around the globe today.

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