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Young Man Departing (Shonenko), from the series "A True Mirror of Japanese and Chinese...c. 1833/34. Creator: Hokusai. Young Man Departing (Shonenko), from the series "A True Mirror of Japanese and Chinese...c. 1833/34. Creator: Hokusai

Young Man Departing (Shonenko), from the series 'A True Mirror of Japanese and Chinese...c. 1833 / 34. Creator: Hokusai. Young Man Departing (Shonenko), from the series 'A True Mirror of Japanese and Chinese...c. 1833 / 34. Creator: Hokusai


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Young Man Departing (Shonenko), from the series "A True Mirror of Japanese and Chinese...c. 1833/34. Creator: Hokusai. Young Man Departing (Shonenko), from the series "A True Mirror of Japanese and Chinese...c. 1833/34. Creator: Hokusai

Young Man Departing (Shonenko), from the series "A True Mirror of Japanese and Chinese Poems (Shiika shashin kyo)", Japan, c. 1833/34

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Media ID 36220726

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Departing Hokusai Hokusai Katsushika Hokusai Tokimasa Kako Katsushika Hokusai Saki No Shiika Shashinkyo Shunrō Sorobeku Tatsumasa Vertical Nagaban Zen No


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EDITORS COMMENTS
Young Man Departing," also known as "Shonenko" or "Sorobeku," is a captivating color woodblock print from the series "A True Mirror of Japanese and Chinese Poems" (Shiika shashin kyo) created by the renowned Japanese artist Katsushika Hokusai between 1833 and 1834. This masterpiece is a testament to Hokusai's artistic genius and his deep understanding of the human condition. The print depicts a young man on horseback, dressed in a blue robe, bidding farewell to an elderly man on the riverbank. The scene is set against the backdrop of a serene coastal landscape, with the estuary and the open sea in the distance. The young man's expression is one of determination and resolve, as he turns to look back at the old man, who gazes at him with a mixture of sadness and pride. The title "Shonenko" translates to "Young Man Departing," and the image is believed to represent the theme of separation and the passing of time. The old man on the riverbank may symbolize the past, while the young man represents the future. The horses in the image are also significant, as they represent the journey that lies ahead for the young man. This print is a prime example of Hokusai's mastery of the ukiyo-e style, which was popular during the Edo and Tokugawa periods in Japan. The intricate details, bold colors, and dynamic composition make it a truly mesmerizing work of art that continues to captivate viewers to this day. The print is currently housed in the Art Institute of Chicago, where it is a cherished part of their Asian art collection. It is a reminder of the rich artistic heritage of Japan and the enduring influence of Hokusai's work on the world of art.

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