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With Lord Dufferin in Burma - A Loot Auction in the Palace, Mandalay, 1886. Creator: Unknown
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With Lord Dufferin in Burma - A Loot Auction in the Palace, Mandalay, 1886. Creator: Unknown
With Lord Dufferin in Burma - A Loot Auction in the Palace, Mandalay, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"
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Media ID 36256965
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Annexation Artefacts Artifacts Auction Auctioning Blackwood Frederick Temple Booty Burma Burmese Dufferin And Ava Marquess Of Dufferin And Ava Marquis Of Dufferin Lord Earl Of Dufferin Fred Villiers Frederic Villiers Frederick Temple Blackwood Frederick Villiers Loot Looting Lord Dufferin Mandalay Mandalay Division Burma Marquis Of Dufferin And Ava Plunder Plundering Royal Palace Stolen Treasure Viceroy Viceroy Of India Villiers Fred Villiers Frederic Villiers Frederick
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EDITORS COMMENTS
With Lord Dufferin in Burma: A Loot Auction in the Palace, Mandalay, 1886" is a captivating black and white engraving that offers a glimpse into the controversial and complex history of colonialism during the late 19th century. The image, created by an unknown artist and published in "The Graphic: An Illustrated Weekly Newspaper," depicts a scene of British soldiers auctioning off Burmese artifacts in the palace of Mandalay. The Marquess of Dufferin and Ava, Frederick Temple Hamilton-Temple-Blackwood, is seen in the center of the photograph, dressed in full military regalia, overseeing the auction. The palace, once a symbol of Burmese royalty and culture, now stands as a backdrop to the sale of stolen treasures. The Burmese people, who had long guarded these artifacts as sacred relics, were now powerless to prevent their looting and exportation by the British. The image is a stark reminder of the colonialist practices of the British Empire during this period, as they sought to expand their territories and acquire valuable resources and cultural artifacts. The booty displayed in the auction includes intricately carved wooden statues, ornate gold and jeweled objects, and other priceless artifacts. The scene is a testament to the devastating impact of colonialism on the indigenous peoples and their cultural heritage. Despite the controversy surrounding the acquisition of these artifacts, they continue to be highly sought after by museums and collectors around the world. The image serves as a reminder of the complex history of colonialism and the ongoing debate over the ethical implications of collecting and displaying looted artifacts.
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