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Virgin and Child, 1482 (1870)

Virgin and Child, 1482 (1870)


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Virgin and Child, 1482 (1870)

Virgin and Child, 1482 (1870). Centre panel of the Triptych of Camerino. Found in the collection of the Pinacoteca di Brera, Milan. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

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Media ID 14950635

© The Print Collector / Heritage-Images

Carlo Carlo Crivelli Crivelli Halo Mantz Paul Paul Mantz Print Collector12 Throne Triptych Virgin And Child Infancy


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> Arts > Artists > C > Carlo Crivelli

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > Italy > Lombardy > Milan

> Europe > Italy > Milan

> Europe > Italy > Paintings


EDITORS COMMENTS
This print showcases the iconic artwork titled "Virgin and Child, 1482 (1870)". Created by Carlo Crivelli during the Renaissance period, this masterpiece is a central panel of the Triptych of Camerino. The print can be found in the esteemed collection of Pinacoteca di Brera in Milan. The image depicts a tender moment between the Virgin Mary and baby Jesus. The mother gazes lovingly at her infant son, cradling him gently in her arms. Both figures are adorned with halos, symbolizing their divine nature within Christianity. Carlo Crivelli's attention to detail is evident in every brushstroke, as he captures the intricate folds of fabric on Mary's gown and delicately renders her serene expression. The composition exudes a sense of tranquility and maternal love that resonates with viewers across centuries. Paul Mantz expertly engraved this exquisite painting for Les Chef D oeuvre de la Peinture Italienne, published in Paris in 1870. Through his skilled craftsmanship, Mantz brings out the depth and beauty of Crivelli's original work. This timeless portrayal of motherhood and devotion continues to inspire awe today. It serves as a testament to both Crivelli's artistic prowess during Italy's medieval period and Mantz's dedication to preserving masterpieces through his engravings.

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