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View of a part of the inside of the cone of the mountain of Somma, 1776

View of a part of the inside of the cone of the mountain of Somma, 1776


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View of a part of the inside of the cone of the mountain of Somma, 1776

View of a part of the inside of the cone of the mountain of Somma, Plate XXXV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (hand coloured engraving)

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Media ID 15141728

© Historica Graphica Collection / Heritage-Images

1768 78 Fabris Grand Tour Hand Coloured Engraving Lava Perpendicular Pietro Fl Roman Archeological Site Spectators Valley Crust Historica Graphica Collection Lava Field


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EDITORS COMMENTS
This hand-coloured engraving, titled "View of a part of the inside of the cone of the mountain of Somma" takes us on a visual journey back to 1776. The print, meticulously crafted by Sir William Hamilton, offers a glimpse into the awe-inspiring volcanic landscape of Mount Somma in Italy. The composition draws our attention to the magnificent cone-shaped structure that dominates the scene. Its cable-like texture and crusty exterior hint at its fiery origins, reminding us of nature's immense power. As we explore further, we notice spectators scattered throughout the illustration, marveling at this extraordinary geological wonder during their grand tour. The artist skillfully captures both horizontal and perpendicular perspectives within this historical piece. Our eyes are guided from the valley below up towards the towering peak, emphasizing its sheer magnitude against an Italian backdrop rich with Roman archaeological sites. Lava fields stretch out before us like frozen rivers frozen in time—an eerie reminder of past eruptions that have shaped this land for centuries. Pietro Flavio Fabris' masterful use of colour breathes life into every detail; hues dance across each stroke as if capturing fleeting moments amidst ancient history. As we gaze upon this remarkable engraving from Heritage Images' Historical Graphica Collection, it transports us beyond mere observation—inviting contemplation about our place in nature's grand design and igniting curiosity about those who witnessed such spectacles centuries ago.

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