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Vessantara Jataka, Chapter 5 (Jujaka), 1850-1870. Creator: Unknown
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Vessantara Jataka, Chapter 5 (Jujaka), 1850-1870. Creator: Unknown
Vessantara Jataka, Chapter 5 (Jujaka), 1850-1870
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Media ID 36367722
© Heritage Art/Heritage Images
1850s 1860s Buddhist Buddhists Cloth Elderly Man House On Stilts Husband Isometric Jataka Jujaka Material Old Man Old Men Parasol Parasols Pigment Sarong Siam South East Asia Southeast Asia Southeast Asian Stilt House Story Thai Thailand Southeast Asia Theravada Vessantara Jataka Walters Art Museum Wife Wives
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EDITORS COMMENTS
This 19th century print depicts the Jataka tale of Vessantara Jataka, Chapter 5 (Jujaka). The scene showcases an elderly man, believed to be King Vessantara, sitting on the porch of a house on stilts, surrounded by lush greenery and trees. The king, dressed in a simple yet elegant white sarong and a gilt-pigmented parasol, is in deep thought, possibly reflecting on his past actions. His wife, dressed in traditional Thai clothing, stands beside him, holding a bowl of amittapana (food offered to monks). The house, a common architectural feature in ancient Siam and Southeast Asia, is beautifully rendered with intricate details. The exterior walls are adorned with vibrant colors and patterns, reflecting the rich cultural heritage of the region. The Jataka tales are a collection of stories from Buddhist literature, originating in India and popular in Southeast Asia. The tales are believed to teach moral values and lessons through the stories of the previous lives of the Buddha. The tale of Vessantara Jataka, also known as the Great Sacrifice, is one of the most famous Jataka tales. This print, with its intricate details and vivid colors, is a testament to the rich artistic traditions of Southeast Asia during the 1850s and 1860s. The use of natural pigments on cloth adds to the authenticity and beauty of the artwork. The peaceful setting, with the elderly couple in their traditional attire, exudes a sense of tranquility and serenity, making it a timeless piece of art and a valuable addition to any collection of Asian art or Buddhist art.
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