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Tomb of Henry IV and his Queen Joan of Navarre in Canterbury Cathedral, 1825. Artist: John Le Keux
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Tomb of Henry IV and his Queen Joan of Navarre in Canterbury Cathedral, 1825. Artist: John Le Keux
Tomb of Henry IV and his Queen Joan of Navarre in Canterbury Cathedral, 1825. Henry IV (1367-1413) became the first king of the House of Lancaster when he took the throne in 1399 having deposed Richard II. He married Joanna of Navarre (c1370-1437), his second wife, in 1403. Henrys first wife, Mary de Bohun, had died in 1394
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Media ID 14911820
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Blore Bolingbroke Canterbury Canterbury Cathedral Duke Of Hereford Duke Of Lancaster Earl Of Derby Edward Edward Blore Effigy Henry Bolingbroke Henry Iv Henry Of Henry Of Bolingbroke Henry Of Lancaster House Of Lancaster John Le John Le Keux Kent Keux King Henry Iv King Of England Lancaster Lancastrian Le Keux Mausoleum Plantagenet Fourteenth Century Nava Print Collector3
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EDITORS COMMENTS
This print captures the magnificent Tomb of Henry IV and his Queen Joan of Navarre in Canterbury Cathedral. Created by renowned artist John Le Keux in 1825, this engraving beautifully showcases the intricate details of this medieval mausoleum. Henry IV, who reigned from 1399 to 1413, was the first king of the House of Lancaster after overthrowing Richard II. In 1403, he married Joanna of Navarre as his second wife following the death of his first wife Mary de Bohun. The effigies of both Henry IV and Queen Joan are depicted with remarkable precision in this print. The tomb is a testament to their royal status, adorned with regal figures and symbols representing their power and lineage. It stands as a solemn reminder of their lives and legacies within English history. The artist's skillful use of monochrome adds a sense of timelessness to the image, transporting viewers back to the fourteenth century when these monarchs ruled over England. The attention to detail is evident throughout every element captured in this print - from the delicate features on each figure's face to the ornate design surrounding them. Overall, this print serves as an exquisite tribute to King Henry IV and Queen Joan's final resting place while also offering us a glimpse into medieval artistry at its finest.
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