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Tiens...Voilà Françoise qu'est passée à la Guarde!...-Dam, elle a pour ça, assez servi... 1860. Creator: Cham
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Tiens...Voilà Françoise qu'est passée à la Guarde!...-Dam, elle a pour ça, assez servi... 1860. Creator: Cham
Tiens...Voila Francoise qu'est passee a la Guarde!...-Dam, elle a pour ca, assez servi dans la ligne..1860. Series: Actualites; Periodical: Le Charivari, Friday, 18 May 1860.
Look.. Francoise has gone to La Guarde!...
Damn, she has served well enough in the line
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Media ID 36373951
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Amedee Charles Henri De Noe Amedee De Noe Caricatures Cartoons Cham De Noe Amedee Graphics Guard Le Charivari Lithographic Noe Amedee Charles Henri De Periodical
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Tiens...Voilà Francoise qu'est passée à la Guarde!...-Dam, elle a pour ça, assez servi
EDITORS COMMENTS
(Look.. Francoise has gone to La Guarde!... Damn, she has served well enough in the line), is a satirical lithograph created by French caricaturist Amedee Charles Henri de Noe, better known as Cham, in 1860. This image was published in the French satirical weekly magazine Le Charivari on May 18, 1860. The print depicts a woman named Francoise, dressed in traditional 19th-century European clothing, standing in a military formation with other soldiers. She looks exhausted and disheveled, with her hair coming loose from her cap and her dress disheveled. The caption above her reads "Damn, she has served well enough in the line," suggesting that Francoise has completed her military service. The image is a commentary on the role of women in society during this time period, particularly in relation to military service. Women were not typically allowed to serve in the military, and this print satirically imagines a situation where a woman has managed to join the ranks despite the expectations and conventions of the time. The use of humor and exaggeration in the image adds to its satirical tone, highlighting the absurdity of the situation. This lithograph is an important historical artifact, providing insight into the social and cultural norms of the 19th century. It is now housed in the Los Angeles County Museum of Art (LACMA) as part of their collection of historic prints and drawings. The image is a reminder of the role of satire and humor in challenging societal norms and providing commentary on the issues of the day.
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