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''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Creator: W Thomas

''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Creator: W Thomas


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''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Creator: W Thomas

''The Offering'', by F. Wyburd, in the Exhibition of the British Institution, 1864. Engraving of a painting. 'What offering is it the painter would have us chiefly understand...Is it the floral wreath, the coronal of blushing roses...the favourite and appropriate emblematical decoration chosen by the Church of Rome for the Holy Virgin...and which our pretty, devout maiden - virgin herself, and almost saintly in her prayerful simplicity - has placed at the feet of some effigy of the Madonna...we think the painter may...imply a deeper meaning. We may also...think of that more acceptible offering, the modest, earnest, heartfelt prayer of a youthful, innocent maiden, worshipping...in the way of her fathers. The lowly peasant condition of the girl, notwithstanding the broidered bravery of her Swiss or Bohemian pelisse, the graceful, delicate beauty of her face, the sweet ingenuousness of her expression, the absorbed unconscious reverence of her attitude, all invite us to think of the spirituality of her offering. That she is paying her tribute of adoration to the Virgin is evident from other circumstances besides the wreath, such as the telling of the beads of her rosary, the kneeling on the rush prie-dieu chair, the prayerful, upturned eyes'. From "Illustrated London News", 1864

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Media ID 38079002

© The Print Collector/Heritage Images

Candle Candle Holder Candleholder Candles Candlestick Chapel Ecclesiastical In Prayer Innocence Innocent Kitsch Pictures Prayer Prayer Beads Prayers Praying Rosary Rosary Beads Thomas W W Thomas Worship Worshipper Worshipping


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> Europe > United Kingdom > England > London > Art > Paintings

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EDITORS COMMENTS
This engraving of "The Offering" by F. Wyburd, displayed at the Exhibition of the British Institution in 1864, captures a moment of profound devotion and innocence. The young maiden, adorned in a beautiful pelisse, kneels before an effigy of the Madonna with a floral wreath in hand - a symbol often associated with offerings to the Holy Virgin. However, upon closer inspection, it becomes clear that there is more to this scene than meets the eye. The painter W Thomas suggests that beyond the physical offering lies a deeper spiritual significance. The girl's humble background and simple yet earnest expression hint at a heartfelt prayer being offered up to her divine mother. As she delicately counts her rosary beads and gazes upwards in reverence, it is evident that her act of worship is one filled with purity and devotion. Her posture exudes grace and humility as she presents herself before the sacred figure. Through this enchanting depiction, viewers are invited to contemplate not just the material gift being presented but also the sincerity and faith behind it. It serves as a reminder of the power of genuine prayer and devotion in connecting individuals to their spiritual beliefs.

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