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Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One... c. 1835/36. Creator: Hokusai
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Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One... c. 1835/36. Creator: Hokusai
Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse, Japan, c. 1835/36
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Media ID 36200309
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Cartouche Hokusai Hokusai Katsushika Hokusai Tokimasa Hyakunin Isshu Uba Ga Etoki Kako Katsushika Hokusai Local People One Hundred Poems By One Hundred Poets Poem Saki No Shunrō Sorobeku Tatsumasa Yoko Oban Zen No
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EDITORS COMMENTS
This woodblock print, titled "Tenji Tenno (The Emperor Tenji), first poet in the series One Hundred Poems by One Hundred Poets Explained by the Nurse," is a masterpiece by the renowned Japanese artist Hokusai, created around 1835-36. The print is an exquisite example of the Oban size format, which was popular during the Edo period. The image depicts Emperor Tenji, the first poet in the famous anthology "One Hundred Poems by One Hundred Poets" or "Hyakunin Isshu," as he is shown in a humble setting, surrounded by the rustic beauty of agricultural life. The Emperor is portrayed as an agricultural worker, dressed in simple clothing and working in the fields. He is accompanied by a female farmhand, who adds a sense of warmth and companionship to the scene. The rich colors and intricate details of the print are a testament to Hokusai's artistic skill. The use of bold, earthy tones, such as brown and blue, adds depth and texture to the image. The cartouche at the bottom of the print provides context, identifying the subject and the series to which it belongs. This print is a rare glimpse into the past, offering a glimpse into the daily life of Japan during the 19th century. It is a reminder of the importance of agriculture in Japanese culture and the enduring influence of literature on art. The print is a valuable addition to any collection of Asian art, and its inclusion in the Art Institute of Chicago's holdings is a testament to its significance in the history of art.
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