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The Last Supper, ca. 1325-30. Creator: Ugolino da Siena

The Last Supper, ca. 1325-30. Creator: Ugolino da Siena


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The Last Supper, ca. 1325-30. Creator: Ugolino da Siena

The Last Supper, ca. 1325-30

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Media ID 19840545

© Heritage Art/Heritage Images

Altarpiece Bare Feet Disciple Disciples Eating Judas Judas Iscariot Last Supper Prophecy Prophetic Siena Tables Tempera And Gold On Wood The Last Supper Ugolino Upset Barefoot Fourteenth Century Gold Colour Tempera


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> Europe > Italy > Paintings

> Europe > Italy > Tuscany > Siena

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


EDITORS COMMENTS
This print showcases Ugolino da Siena's masterpiece, "The Last Supper" created between 1325 and 1330. This exquisite altarpiece transports us back to the heart of the 14th century, immersing us in a scene of profound religious significance. In this depiction of the iconic biblical event, Jesus Christ sits at the center of a long table surrounded by his disciples. The artist skillfully captures their emotions and interactions as they partake in their final meal together. The use of tempera and gold on wood adds a rich golden hue to the painting, enhancing its divine aura. Ugolino da Siena's attention to detail is evident in every aspect of this artwork. From the intricate furniture adorning the room to each disciple's bare feet symbolizing humility, no element is overlooked. Among them stands Judas Iscariot, whose troubled expression foreshadows his betrayal. Located within The Metropolitan Museum of Art, this piece serves as an invaluable testament to Italian medieval artistry and Christian heritage. Its vibrant colors and prophetic atmosphere transport viewers into an intimate space where faith intertwines with history. As we gaze upon this remarkable image captured through time, we are reminded not only of its artistic brilliance but also its enduring spiritual significance. Ugolino da Siena's "The Last Supper" continues to inspire awe and contemplation among all who have had the privilege to witness it firsthand or through reproductions like this one from Heritage Images

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