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Stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" by Gaspare Spontini, 1822. Creator: Schinkel, Karl Friedrich (1781-1841). Stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" by Gaspare Spontini

Stage design for the Opera 'Nurmahal oder das Rosenfest von Kaschmir' by Gaspare Spontini, 1822. Creator: Schinkel, Karl Friedrich (1781-1841). Stage design for the Opera 'Nurmahal oder das Rosenfest von Kaschmir' by Gaspare Spontini


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Stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" by Gaspare Spontini, 1822. Creator: Schinkel, Karl Friedrich (1781-1841). Stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" by Gaspare Spontini

Stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" by Gaspare Spontini, 1822. Found in the collection of the Staatliche Museen, Berlin

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Media ID 36259031

© Fine Art Images/Heritage Images

Berlin Gaspare Spontini Gouache On Paper Karl Friedrich 1781 1841 Schinkel Spontini Staatliche Museen


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Germany

> Architecture > Country > India

> Architecture > Styles > Berlin Architecture

> Architecture > Styles > Neoclassical Architecture

> Architecture > Theatres

> Arts > Art Movements > Neoclassicism

> Arts > Artists > S > Karl Friedrich Schinkel

> Europe > Germany > Ballet

> Europe > Germany > Berlin

> Europe > Germany > Opera


EDITORS COMMENTS
This stage design for the Opera "Nurmahal oder das Rosenfest von Kaschmir" (Nurmahal or The Rose Festival of Cashmere) by the renowned Italian composer Gaspare Spontini was created by the esteemed German architect and painter, Karl Friedrich Schinkel, in 1822. The design is currently housed in the prestigious Staatliche Museen (State Museums) in Berlin, Germany. The opera, based on the Indian legend of Noor Mahal, tells the story of a beautiful princess who is betrayed by her father and forced to marry a cruel sultan. The scene depicted in this design likely represents a grand interior from the sultan's palace, with intricate neoclassical architecture adorning the walls and columns. The use of gouache on paper adds a richness and depth to the design, bringing the opulent setting to life. Schinkel's design exemplifies the neoclassical style, which was popular in Europe during the early 19th century. The clean lines, symmetrical shapes, and emphasis on order and balance are all characteristic of this architectural movement. The use of natural light filtering in through the windows adds a sense of serenity and tranquility to the scene, in stark contrast to the tumultuous events unfolding in the opera's plot. The collaboration between Spontini and Schinkel on this opera was significant, as they were two of the most influential figures in their respective fields during this time period. The fusion of music, dance, and visual art in the production would have created an unforgettable experience for audiences in Berlin over 200 years ago.

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