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St Michael and Engracia, c1489-c1513. Artist: Juan de la Abadia the Younger
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St Michael and Engracia, c1489-c1513. Artist: Juan de la Abadia the Younger
St Michael and Engracia, c1489-c1513. St Michael the Archangel stands on the devil. In his right hand he holds the scales which weigh the souls of men. On the left is St Engracia (Encratis or Encratide), a Portuguese virgin martyred in 304 at Saragossa, Spain during the persecution of Christians by the Emperor Diocletian (284-313). In one hand she holds a martyrs palm and from her head a nail protrudes
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Media ID 14847632
© Ann Ronan Picture Library / Heritage-Images
3rd Century Archangel Defeat Defeated Devil Diocletian Juan De La Judgement Judgment Martyr Martyrdom Michael Nail Palm Leaf Palm Tree Portugal Portuguese Religious Persecution Scales Spear St Michael The Younger Abadia Ann Ronan Pictures Engracia
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This print titled "St Michael and Engracia" showcases the remarkable artistic talent of Juan de la Abadia the Younger. Created between 1489 and 1513, this piece depicts St Michael the Archangel standing triumphantly on top of the devil, symbolizing his victory over evil. In his right hand, he holds scales that represent the weighing of souls during judgment. On the left side of the painting stands St Engracia, a Portuguese virgin who was martyred in 304 at Saragossa, Spain during Emperor Diocletian's persecution of Christians. Holding a martyr's palm in one hand and with a nail protruding from her head, she represents her unwavering faith and sacrifice for her beliefs. The vibrant colors and intricate details bring life to this religious artwork. The gold accents add an ethereal touch to both figures while highlighting their significance within Christian iconography. Juan de la Abadia's skillful brushwork captures not only the physical attributes but also conveys deeper spiritual concepts such as defeat against temptation and warfare against darkness. This print serves as a powerful reminder of devotion, courage, and resilience in times of religious persecution. With its historical context rooted in Spain during the fifteenth to sixteenth centuries, this portrait provides viewers with an insight into artistry prevalent during that era. It is truly a testament to Juan de la Abadia's mastery as an artist and his ability to convey profound messages through visual storytelling.
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