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Sloth, c1621. Creator: Jacques Callot
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Sloth, c1621. Creator: Jacques Callot
Sloth, c1621. From The Seven Deadly Sins
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Media ID 36355420
© Heritage Art/Heritage Images
1620s Callot Jacques Callote Jacques Callotti Jacques Demon Donkey Etching With Engraving Iacopo Callott Jacques Callot Personification Personifying Seven Deadly Sins Sins
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EDITORS COMMENTS
Sloth, c1621: A Personification of Idleness and Indolence by Jacques Callot Jacques Callot's engraving, Sloth, from his series The Seven Deadly Sins, captures the essence of idleness and indolence with striking precision. Created in the 1620s during the Baroque era, this black and white etching with engraving is a powerful visual representation of the sin of Sloth. The image depicts a woman, her body slumped over a donkey, her head resting on its back as she clings to its ears. Her long, flowing hair covers her face, and her eyes are closed in a state of deep lethargy. A small ass, symbolizing the sin's animalistic nature, is tethered to her waist, further emphasizing her inability to move or act. Callot's masterful use of contrast and shading creates a sense of depth and dimension, drawing the viewer into the scene. The woman's pale, almost translucent skin, contrasts sharply with the dark, textured background, highlighting her languid figure. This print is a prime example of the Baroque period's emphasis on dramatic contrasts and intense emotion. The sin of Sloth is personified as a woman, emphasizing the destructive nature of idleness and the consequences of neglecting one's duties and responsibilities. Sloth, c1621, is a captivating work of art that continues to intrigue and inspire viewers today. It is a reminder of the dangers of idleness and the importance of staying active and engaged in life. This historic print is now part of the collection at the Los Angeles County Museum of Art (LACMA), where it is preserved for future generations to appreciate and study.
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