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The Three Sleepers: Sophia Finlay, Harriet Farnie and Brownie, c. 1845

The Three Sleepers: Sophia Finlay, Harriet Farnie and Brownie, c. 1845


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The Three Sleepers: Sophia Finlay, Harriet Farnie and Brownie, c. 1845

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Media ID 20766313

© Heritage Art/Heritage Images

Adamson Robert Asleep Childhood David Octavius Hill Hill David Octavius Portraiture Robert Adamson Salted Paper Print Sepia Sleep Sleeping Scots


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > S > Sleeper

> Arts > Artists > H > David Octavius Hill

> Arts > Artists > H > Robert Hills

> Arts > Artists > R > David Roberts

> Arts > Artists > W > Robert White

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Animal portraiture > Portrait art

> Arts > Portraits > Animal portraiture

> Arts > Realistic drawings > Animal portraits > Animal artwork


The Three Sleepers - Sophia Finlay, Harriet Farnie and Brownie, c. 1845

EDITORS COMMENTS
. This photograph captures a moment frozen in time, showcasing the innocence and tranquility of childhood. Taken by renowned Scottish photographers David Octavius Hill and Robert Adamson in the mid-19th century, this portrait is a testament to their mastery of early photography techniques. In this image, two young girls named Sophia Finlay and Harriet Farnie are peacefully asleep alongside their faithful canine companion, Brownie. The soft sepia tones add a timeless quality to the scene, evoking a sense of nostalgia for simpler times. The composition highlights the bond between these three subjects as they slumber side by side. The delicate features of the girls' faces are beautifully illuminated against the dark backdrop, while Brownie's loyal presence adds an endearing touch to the overall tableau. As we gaze upon this vintage print from our National Gallery of Art collection in Washington D. C. , we are transported back to 19th-century Britain. It serves as a reminder that even amidst societal changes and advancements in technology, some things remain constant – like the universal need for restful sleep and companionship. This artwork not only showcases Hill and Adamson's technical skill but also offers us a glimpse into Victorian-era life through its portrayal of childhood innocence and familial bonds. It stands as a testament to their enduring legacy as pioneers in early photography.

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