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Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. Artist: James Atkinson
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Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. Artist: James Atkinson
Shah Shoja, puppet of the British, holding a durbar at Kabul, First Anglo-Afghan War, 1838-1842. A former ally of the British from the Napoleonic Wars, Shah Shoja was restored as ruler of Afghanistan by the British in 1839 as they sought to block Russian influence in the country. He was assassinated in 1842. From Sketches in Afghanistan by James Atkinson. (London, 1842)
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Media ID 14845966
© Ann Ronan Picture Library / Heritage-Images
Afghan Afghani Afghanistan Anglo Afghan War Atkinson Durbar Government Imperialism James Atkinson Kabul Meeting Mountainous Puppet Puppets Shah Tent Tents Ann Ronan Pictures
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This print captures a significant moment in history during the First Anglo-Afghan War, showcasing Shah Shoja, a puppet ruler of Afghanistan under British influence. Painted by James Atkinson and featured in his book "Sketches in Afghanistan" this lithograph provides a glimpse into the political landscape of the 19th century. Shah Shoja's association with Britain dates back to the Napoleonic Wars when he allied himself with them against their common enemy. In an attempt to counter Russian expansionism, the British restored him as the ruler of Afghanistan in 1839. The image portrays Shah Shoja holding a durbar, symbolizing his authority and power over his people. The setting is Kabul, surrounded by majestic mountains that emphasize both its geographical features and strategic importance. The vibrant colors used by Atkinson bring life to this historical scene, highlighting not only the grandeur of the buildings but also capturing every intricate detail of soldiers' attire and traditional Afghan dress. However, despite being seen as a government figurehead for British interests, Shah Shoja's reign was short-lived. Tragically, he was assassinated in 1842 amidst growing discontent among Afghans towards foreign interference. This print serves as a visual testament to colonialism and imperialism during this era while shedding light on complex geopolitical dynamics between Britain and Afghanistan at that time. It stands as an important historical artifact reminding us of past struggles for power and control within nations.
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