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A Seamans Wifes Reckoning, July 15, 1812. July 15, 1812. Creator: Thomas Rowlandson
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A Seamans Wifes Reckoning, July 15, 1812. July 15, 1812. Creator: Thomas Rowlandson
A Seamans Wifes Reckoning, July 15, 1812
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Arithmetic Cuckold Father In Law George Moutard George Moutard Woodward Illegitimacy Illegitimate Mathematics Maths Rowlandson Rowlandson Thomas Sailor Sailors Seaman T Tegg And Son T Tegg Son Tegg Tegg And Son Tegg Son T Tegg Thomas Thomas Rowlandson Thomas Tegg Unfaithful Wives Woodward Woodward George Moutard Hand Tinted Naval Warfare
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A Seamans Wifes Reckoning, July 15,1812
EDITORS COMMENTS
is a captivating and thought-provoking print by Thomas Rowlandson. Created in the 19th century, this hand-coloured etching depicts a scene that explores themes of marriage, family dynamics, and the consequences of unfaithfulness. In this artwork, Rowlandson skillfully portrays a woman sitting at a table with her two young children. The expression on her face reveals anguish and betrayal as she confronts her husband's infidelity. The presence of an older man suggests that he may be the father-in-law or perhaps acting as an advisor during this difficult moment. The artist uses vibrant colours to bring attention to the emotional turmoil within the room while also highlighting details such as arithmetic symbols on the wall behind them. This clever inclusion symbolizes both domesticity and serves as a reminder of how numbers can represent accountability and consequences. Rowlandson's work often delves into social commentary through satire, capturing moments from everyday life with wit and humor. "A Seamans Wifes Reckoning" stands as a poignant reflection on relationships strained by naval warfare prevalent during that time period. This print showcases Rowlandson's mastery in capturing human emotions through his artistic skills. It invites viewers to contemplate the complexities of fidelity, trust, and familial bonds amidst times of conflict. As we gaze upon this historical piece at The Metropolitan Museum of Art (The Met), we are reminded once again of art's ability to provoke
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