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The Sawhorse, 1761. Creator: Giovanni Battista Piranesi

The Sawhorse, 1761. Creator: Giovanni Battista Piranesi


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The Sawhorse, 1761. Creator: Giovanni Battista Piranesi

The Sawhorse, 1761

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Media ID 36364208

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1760s Giovanni Battista Piranesi Ladder Penitentiary Piranesi Giovanni Battista Prison Rome Lazio Italy Europe Stairs Tools Vedute Di Roma


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> Architecture > Country > Italy > Rome

> Arts > Artists > P > Giovanni Battista Piranesi

> Europe > Italy > Lazio > Related Images

> Europe > Italy > Rome


The Sawhorse,

EDITORS COMMENTS
a captivating etching by the renowned Italian artist Giovanni Battista Piranesi, dates back to the 1760s and is a striking representation of ancient architecture and the passage of time. Piranesi, a master of the vedute di Roma genre, created this intricately detailed work as part of his series "Carceri d'Invenzione," or Imaginary Prisons. Set against a backdrop of a crumbling, timeworn building, the central focus of the image is a large, rustic sawhorse, its sturdy legs propped against the weathered stone wall. A ladder leans precariously against the sawhorse, its rungs worn smooth from use, suggesting the laborious tasks once performed there. The sawhorse, a simple yet essential tool, is a poignant symbol of the physical labor and hardships endured in the ancient world. The image is steeped in history and intrigue, with the dark, moody atmosphere of the etching hinting at a deeper narrative. The setting, reminiscent of a Roman penitentiary or prison, adds an element of mystery and crime to the scene. The stark contrast between the black and white tones further emphasizes the contrast between the old and the new, the past and the present. This evocative work of art, now housed at the Los Angeles County Museum of Art, is a testament to Piranesi's skill as an artist and his ability to capture the essence of a bygone era. The Sawhorse stands as a reminder of the rich heritage of Italian art and the enduring power of black and white imagery to transport us to another time and place.

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