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Satire on the national debt, 1782 (1785). Artist
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Satire on the national debt, 1782 (1785). Artist
Satire on the national debt, 1782 (1785). An historical, emblematical, patriotical and political print representing the English Balloon or National Debt in the year 1782.... Scene outside the Stock Exchange
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Media ID 15177524
© London Metropolitan Archives (City of London) / Heritage-Images
Balloon Economy F Jukes Francis Francis Jukes Guildhall Library Art Gallery Jukes Phelps Speculation Stock Exchange Aquatint Economics National Debt
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Satire on the National Debt, 1782 (1785) - A Glimpse into Britain's Economic Turmoil
EDITORS COMMENTS
. This black and white aquatint print, created by artist Francis Jukes in the late 18th century, offers a satirical commentary on England's crippling national debt. Titled "An historical, emblematical, patriotical and political print representing the English Balloon or National Debt in the year 1782" this artwork takes us to a bustling scene outside the Stock Exchange. The image depicts a country grappling with economic uncertainty as people mill about amidst grand buildings. The caricatured figures represent various societal roles affected by financial speculation and instability. A prominent male figure stands at the center of attention, symbolizing both power and vulnerability in his attempt to manage this ballooning debt crisis. Juxtaposed against these characters is an enormous balloon labeled "National Debt" looming over them all. This metaphorical representation highlights how this burden weighs heavily upon every aspect of British society during that era. As we delve deeper into this thought-provoking piece, it becomes evident that artist Elizabeth Henriette Eliza H Phelps skillfully captures not only the economic struggles but also the social implications of such fiscal mismanagement. Through her monochrome depiction of bustling streets and iconic landmarks like Guildhall Library and Art Gallery, she invites viewers to reflect upon their own country's economic challenges while subtly critiquing those responsible for its predicament. Overall, this historic print serves as a
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