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Salome on [a] Settle, 1893. Creator: Aubrey Beardsley
![Salome on [a] Settle, 1893. Creator: Aubrey Beardsley](/p/731/salome-a-settle-1893-creator-24364764.jpg.webp "Salome on [a] Settle, 1893. Creator: Aubrey Beardsley")
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Salome on [a] Settle, 1893. Creator: Aubrey Beardsley
Salome on [a] Settle, 1893. Alternative title: Maitresse d Orchestre. Salome, in a lace-edged black robe with a tassel which trails on the floor, holds a slim pointed object like a conductors baton. Intended as an illustration for " Salome" by Oscar Wilde, [John Lane, 1894], but suppressed. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]
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Media ID 24364764
© Shirley Markham Collection/Heritage Images
Aubrey Beardsley Aubrey Vincent Beardsley Baton Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Conducting Conductor Decadent Movement John Lane Lane John Oscar Fingal Oflahertie Wills Wilde Oscar Wilde Publishing Publishing House R A Walker Rainforth Armitage Walker Salome Shirley Markham Tassel Walker Walker R A Walker Rainforth Armitage Wilde Oscar Graphic Design Salom And Xe9
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EDITORS COMMENTS
The print titled "Salome on a Settle, 1893" captures the essence of Aubrey Beardsley's artistic brilliance. This image portrays Salome, the biblical temptress, in a lace-edged black robe with an alluring tassel that elegantly trails along the floor. In her hand, she holds a slim pointed object resembling a conductor's baton, symbolizing her power and control. Originally intended as an illustration for Oscar Wilde's play "Salome" this provocative artwork was suppressed due to its daring nature. Beardsley masterfully combines elements of art nouveau and graphic design to create a visually striking composition that challenges societal norms. The intricate details in Salome's hair and hairstyle add depth to the image while emphasizing her femininity. The use of black and white enhances the dramatic effect, highlighting both light and shadow in this decadent masterpiece. This piece showcases Beardsley's unique ability to blend literature with visual art seamlessly. It is evident that his collaboration with John Lane Publishing House aimed to push boundaries within British society during the late 19th century. As we admire this remarkable print from "The Best of Beardsley" edited by R. A. Walker, we are reminded of how art can provoke thought and challenge conventional beliefs. Through his portrayal of Salome as both seductive and powerful, Beardsley invites us into a world where religion meets sensuality—a testament to his extraordinary talent as an artist ahead of his time.
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