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Saint Mark, plate two from The Four Evangelists, 1588. Creator: Jacques de Gheyn II
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Saint Mark, plate two from The Four Evangelists, 1588. Creator: Jacques de Gheyn II
Saint Mark, plate two from The Four Evangelists, 1588
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Media ID 36209567
© Heritage Art/Heritage Images
Elderly Man Evangelist Four Evangelists Gheyn Jacques De Ii Goltzius Hendrick Goltzius Hendrik Halo Hendrick Goltzius Hendrik Goltzius Henry Goltzius Jacob De Gheyn Ii Jacques De Gheyn Ii Latin Script Latin Text Leaning Leaning On Elbow Lion Lower Case Mannerism Mark St Mark The Evangelist Old Man Old Men Round Saint Mark Saint Mark The Evangelist St Mark St Mark The Evangelist
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EDITORS COMMENTS
This engraving, titled "Saint Mark, plate two from The Four Evangelists," was created by the renowned Dutch artist Jacques de Gheyn II in the late 16th century. The image showcases Saint Mark, one of the four evangelists in Christian tradition, depicted as an elderly man with a long, flowing beard and a halo above his head. He is shown leaning on his elbow, deep in thought as he reads from a text written in Latin script. The text is surrounded by a circular border adorned with intricate lettering and a menagerie of animals, including a lion, which is a symbol of Saint Mark's authority. The engraving is a masterful example of Mannerist art, characterized by its elaborate, exaggerated forms and dynamic compositions. The use of contrasting light and shadow adds depth and dimension to the image, while the intricately detailed lettering and animal motifs demonstrate Gheyn's exceptional skill as an engraver. This print is part of a larger series of engravings, "The Four Evangelists," which also includes plates featuring Saint Matthew, Saint Luke, and Saint John. The series was likely produced in collaboration with Hendrick Goltzius, another prominent Dutch artist and engraver. Today, this beautiful work of art can be found in the permanent collection of the Art Institute of Chicago, where it continues to captivate and inspire visitors from around the world. Its intricate details and rich history make it a valuable addition to the institute's extensive collection of heritage art from the Lower Countries.
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