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Sadness (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

Sadness (Le Brun Travested, or Caricatures of the Passions), January 21, 1800


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Sadness (Le Brun Travested, or Caricatures of the Passions), January 21, 1800

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Media ID 20576027

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Brun Brun Charles Le Charles Le Charles Le Brun Charles Lebrun Crying Dead Funny George Moutard George Moutard Woodward Lap Dog Le Brun Le Brun Charles Lebrun Lebrun Charles Old Maid Old Woman R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Sadness Servant Silly Spinster Thomas Rowlandson Upset Woodward Woodward George Moutard Metaphor


FEATURES IN THESE COLLECTIONS

> Animals > Related Images

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > B > Charles Le Brun

> Arts > Artists > L > Charles Le Brun

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > Charles White

> Arts > Artists > W > George Moutard Woodward

> Arts > Artists > W > George White

> Arts > Artists > W > Thomas Woodward

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
In this 19th-century etching titled "Sadness (Le Brun Travested, or Caricatures of the Passions), January 21,1800". Thomas Rowlandson humorously captures the concept of sadness through a satirical portrayal. The print showcases a scene set in Britain, where a man is depicted as an old maid or spinster, embodying the metaphorical embodiment of melancholy. The central figure, dressed in typical attire for that era, sits with a lap dog on his lap. Both man and dog wear expressions of deep sorrow and distress. The artist's clever use of caricature exaggerates their emotions to evoke laughter rather than sympathy. Rowlandson's attention to detail shines through in his depiction of various elements within the composition. A servant stands nearby, seemingly perplexed by his master's exaggerated display of grief. In the background, we see other individuals going about their daily activities oblivious to the protagonist's emotional turmoil. This print reflects Rowlandson's talent for blending satire with social commentary. By presenting sadness in such an absurd manner, he invites viewers to reflect on how our own sorrows can sometimes be trivialized or even comical when viewed from an outsider's perspective. Today, this artwork remains part of the Metropolitan Museum of Art collection and continues to entertain audiences with its witty portrayal of human emotion and societal norms during that time period.

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