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Roma - Farnese Palace, 1910

Roma - Farnese Palace, 1910


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Roma - Farnese Palace, 1910

Roma - Farnese Palace, 1910. Began for Cardinal Farnese by Antonio da Sangallo, it was continued by Vignola and completed by Michelangelo. It is the most splendid example of the Renaissance palace architecture. From Cento Vedute Classiche di Roma. [Enrico Verdesi, Rome, 1910]

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Media ID 14932264

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Alessandro Alessandro Farnese Buonarroti Enrico Enrico Verdesi Farnese Farnese Palace Giacomo Barozzi Da Vignola High Renaissance Lazio Mannerism Michelangelo Buonarroti Palazzo Palazzo Farnese Paul Iii Pope Pope Paul Iii Sepia Verdesi Faaade Sangallo Vignola


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Italy > Rome

> Architecture > Palaces

> Arts > Art Movements > Mannerism

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > Michelangelo Buonarroti > High Renaissance art

> Arts > Artists > Michelangelo Buonarroti > Renaissance art

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo > High Renaissance

> Arts > Artists > Michelangelo > Renaissance art

> Arts > Artists > Michelangelo


EDITORS COMMENTS
This print transports us back to the grandeur of Rome in 1910, showcasing the magnificent Farnese Palace. Originally commissioned by Cardinal Farnese and designed by Antonio da Sangallo, this architectural masterpiece was later continued by Vignola and completed by none other than Michelangelo himself. It stands as a true testament to Renaissance palace architecture. The sepia-toned image captures the essence of this iconic Italian landmark, with its striking facade proudly displayed against the backdrop of Rome's timeless beauty. The monochrome tones add a sense of nostalgia, allowing us to appreciate every intricate detail that went into its construction. As we gaze upon this high Renaissance gem, we are reminded of the immense talent and vision that shaped Italy's artistic legacy. The Farnese Palace represents an era where art and architecture were intertwined, creating harmonious spaces for both aesthetic pleasure and practical use. Enrico Verdesi's print from "Cento Vedute Classiche di Roma" serves as a window into history, transporting us to a time when palaces like these were symbols of power and prestige. Let it be a reminder that even centuries later, their allure remains undiminished – standing tall as enduring testaments to human creativity.

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