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Roger Fenton, British photographer, c1850s (1955)

Roger Fenton, British photographer, c1850s (1955)


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Roger Fenton, British photographer, c1850s (1955)

Roger Fenton, British photographer, c1850s (1955). In the spring of 1855 Agnew and Sons of London sent Fenton to cover the war in the Crimea. He returned with 350 negatives of French and British soldiers and campsites in Balaklava Bay. A print from Mathew Brady Historian with a Camera by James D Horan, Bonanza Books, New York, 1955

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Media ID 14950735

© The Print Collector / Heritage-Images

Cloak Crimean War 1853 1856 Fenton Musket Photographer Print Collector12 Roger Roger Fenton


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> Arts > Artists > B > Mathew Brady

> Arts > Artists > F > Roger Fenton

> Arts > Portraits > Black and white portraits > Fine art portraits

> Europe > United Kingdom > England > London > Related Images

> North America > United States of America > New York > New York > Related Images


EDITORS COMMENTS
This print captures the enigmatic Roger Fenton, a renowned British photographer of the 19th century. Taken in the mid-1850s, this portrait showcases Fenton's distinguished appearance with his full beard and Victorian attire. Known for his significant contributions to photography during the Crimean War, Fenton was commissioned by Agnew and Sons of London to document the conflict in Crimea. During his time there, Fenton captured over 350 negatives featuring French and British soldiers as well as campsites in Balaklava Bay. His photographs provided an unprecedented visual account of war at that time, shedding light on its harsh realities. This particular image is sourced from Mathew Brady Historian with a Camera by James D Horan, published in New York in 1955. It serves as a testament to Fenton's enduring legacy within the field of photography. Fascinatingly monochrome yet richly detailed, this photograph transports us back to a pivotal moment in history when warfare was documented through artistry and precision. As we gaze upon this print collector's treasure today, we are reminded not only of Roger Fenton's remarkable talent but also of the power that images hold in shaping our understanding of past events.

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