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Richard Carpenter (c1604-c1670), priest and apostate, 1641. Artist: William Marshall

Richard Carpenter (c1604-c1670), priest and apostate, 1641. Artist: William Marshall


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Richard Carpenter (c1604-c1670), priest and apostate, 1641. Artist: William Marshall

Richard Carpenter (c1604-c1670), priest and apostate, 1641

Heritage Images features heritage image collections

Media ID 14920408

© The Print Collector / Heritage-Images

Carpenter Clergyman Cleric Marshall Priest Richard William Marshall Apostate Richard Carpenter


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> Arts > Artists > M > William Marshall

> Arts > Literature > Books

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits


EDITORS COMMENTS
In this black and white portrait, we are introduced to Richard Carpenter, a significant figure in the 17th-century religious landscape. Painted by the talented artist William Marshall in 1641, this engraving captures Carpenter's essence as both a priest and an apostate. Carpenter's piercing gaze draws us into his world of spirituality and inner conflict. Holding a literature book tightly against his chest, he symbolizes the power of knowledge and its role in shaping one's beliefs. The intensity of his expression suggests that he is deeply engrossed in contemplation or perhaps wrestling with doubts about his faith. As a clergyman turned apostate, Carpenter represents the complexities within Christianity during this era. His decision to leave behind the religious path he once followed raises questions about personal conviction and individual agency within matters of faith. Marshall skillfully employs monochrome tones to enhance the dramatic effect of this print. The absence of color allows us to focus solely on Carpenter himself - his features, emotions, and internal struggles. This artwork serves as a window into history, offering us insight into the challenges faced by those who dared to question established religious norms. It reminds us that even figures considered pillars of their communities can experience profound transformations that shape not only their own lives but also influence broader conversations surrounding religion and belief systems.

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