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Reuben, c1590. Creator: Jacques de Gheyn II

Reuben, c1590. Creator: Jacques de Gheyn II


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Reuben, c1590. Creator: Jacques de Gheyn II

Reuben, c1590. Series: The Twelve Sons of Jacob, pl. 1; Edition: First edition

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Media ID 36354566

© Heritage Art/Heritage Images

1590s Book Of Genesis Father Fatherhood Firstborn Flanders Belgium Europe Genesis Gheyn Jacques De Ii Jacob Jacob De Gheyn Ii Jacques De Gheyn Ii Overturned Parent Sceptre Symbol Symbolic


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> Arts > Artists > G > Jacques II de Gheyn

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Reuben, c1590

EDITORS COMMENTS
is a captivating engraving from the series "The Twelve Sons of Jacob" created by the Flemish artist Jacques de Gheyn II during the 1590s. This monochrome masterpiece, now housed at the Los Angeles County Museum of Art (LACMA), portrays the eldest son of Jacob and Leah, Reuben, in a poignant and symbolic representation. Reuben is depicted as a mature man, with a thoughtful expression and a crown atop his head, signifying his status as the firstborn and rightful heir. However, the image also reveals a sense of unease, as Reuben's sceptre lies overturned at his feet, symbolizing the loss of his birthright due to his infidelity with Jacob's concubine, Bilhah. The urn next to him may represent the legacy he has lost or the heritage he must now pass on to the next generation. This engraving is a testament to the rich symbolism found in the Old Testament narrative, as well as the artistic skill of Jacques de Gheyn II. The contrast between the white and black tones adds depth and texture to the image, further emphasizing the complexities of the human condition and the enduring themes of family, fatherhood, and the consequences of one's actions. Originating from Flanders, Belgium, in the 16th century, this work of art continues to captivate viewers with its intricate details, historical significance, and the timeless story it conveys from the Book of Genesis. The engraving invites us to reflect on the complexities of family dynamics, the importance of heritage, and the power of symbolism in understanding the human experience.

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