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Rest on the Flight into Egypt, 1615-1621. Creator: Orazio Gentileschi

Rest on the Flight into Egypt, 1615-1621. Creator: Orazio Gentileschi


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Rest on the Flight into Egypt, 1615-1621. Creator: Orazio Gentileschi

Rest on the Flight into Egypt, 1615-1621. Joseph is old, haggard and exhausted. The Virgin is a young, well-built woman with grubby feet sitting uncomfortably on the floor of a ruined building as she feeds her toddler child. Jesus appears naked and vulnerable glancing furtively towards the viewer and we are reminded that this family are refugees escaping from Herods death-threat

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Media ID 20772590

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Asleep Birmingham Museum And Art Gallery Birmingham Museum Art Gallery Birmingham Museums And Art Gallery Birmingham Museums Trust Breast Feeding Breastfeeding Donkey El Gentilesche Family Life Flight Into Egypt Gentileschi Orazio Horatio Gentileschi Orazio Gentileschi Orazio Lomi Gentileschi Refuge Refugee Refugees Rest Rest On The Flight Into Egypt Resting Saint Joseph Sleep Sleeping St Joseph Suckling Infancy Nakedness Nudity Parenting


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Rest on the Flight into Egypt, 1615-1621 - A Glimpse into Refugee Life in the 17th Century

EDITORS COMMENTS
. In this print by Orazio Gentileschi, we are transported back to a time of turmoil and uncertainty. The scene depicts Joseph, weary and weathered from their arduous journey, seeking solace in an abandoned building. His face tells a story of exhaustion and worry as he gazes upon his young family. The Virgin Mary, portrayed here as a strong and resilient woman with grubby feet firmly planted on the floor, cradles her toddler child while breastfeeding him. Her maternal instinct shines through as she provides nourishment and comfort amidst their dire circumstances. Meanwhile, Jesus appears naked and vulnerable, casting a furtive glance towards the viewer. This poignant detail serves as a reminder that this holy family is not immune to suffering; they too are refugees fleeing from Herod's death-threat. Gentileschi's masterful use of color brings depth to the painting, highlighting the contrast between light and shadow. The warm tones evoke a sense of tranquility despite their precarious situation. As we contemplate this artwork today at Birmingham Museum & Art Gallery, it serves as a powerful testament to the timeless plight of refugees throughout history. It reminds us that compassion knows no boundaries or time periods – it transcends art itself. This piece invites us to reflect on our own humanity and how we can extend empathy towards those who seek refuge in our world today.

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