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Raiden, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Raiden, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
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Raiden, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. Raiden, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
Raiden, from the series "Pictures of No Performances (Nogaku Zue)", 1898
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Media ID 24171968
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Bennosuke Tsukioka Hanyu Sadanosuke Kogyo Sakamaki Kogyo Tsukioka Kohan Long Hair Long Haired Meiji Era Meiji Period Nenkyu Sadanosuke Hanyu Sakamaki Kogyo Show Tsukioka Bennosuke Tsukioka Kogyo Color Woodblock Print Playhouse Thespian
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This print titled "Raiden, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" takes us back to the vibrant world of traditional Japanese theater. Created by Kogyo Tsukioka, a renowned artist of the Meiji era, this piece showcases his mastery in capturing the essence and allure of Noh performances. In this image, we are introduced to Raiden, a character brought to life through exquisite costume and dramatic expression. The actor's long hair cascades down his shoulders as he embodies the spirit of this powerful deity. His elaborate attire reflects both elegance and strength, with intricate patterns and rich colors that add depth to his portrayal. The woodblock printing technique used here adds an extra layer of authenticity to the artwork. Each brushstroke is meticulously carved into wooden blocks before being inked and pressed onto paper, resulting in vivid details that bring Raiden's presence alive. As we gaze upon this piece at the Art Institute Chicago or any other art gallery fortunate enough to house it, we are transported into a realm where drama unfolds on stage. We can almost hear the haunting melodies and feel our hearts race alongside those who witnessed these mesmerizing performances during Japan's Meiji period. Kogyo Tsukioka's dedication to preserving cultural heritage shines through in every stroke of this remarkable print. It serves as a testament not only to his artistic prowess but also to the enduring beauty and significance of Noh theater within Japanese history.
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