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Quae Genus at a Sheep-shearing, from The History of Johnny Quae Genus, The Li

Quae Genus at a Sheep-shearing, from The History of Johnny Quae Genus, The Li


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Quae Genus at a Sheep-shearing, from The History of Johnny Quae Genus, The Li

Quae Genus at a Sheep-shearing, from " The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax", February 1, 1822

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Media ID 19987610

© Heritage Art/Heritage Images

Ackermann Ackermann R Ackermann Rudolph Character Combe Combe William Funny Johnny Quae Genus Poem R Ackermann Rowlandson Rowlandson Thomas Rudolph Rudolph Ackermann Sheep Shearing Sheepshearing Thomas Rowlandson William Combe Willie Combe Aquatint Hand Coloured Hand Tinted Poetry


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Bovidae > Sheep

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > William Williams

> Arts > Dance

> Arts > Literature

> Europe > United Kingdom > England > London > Sights > British Museum

> Humour > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Dance


EDITORS COMMENTS
The print captures a lively scene at a sheep-shearing event, as depicted in the book "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax" by Thomas Rowlandson. This humorous 19th-century artwork showcases the vibrant and comical characters that populate British rural life. In this hand-coloured aquatint, we see men and women gathered around a group of sheep being sheared. The artist's attention to detail is evident in the intricate etching and vivid colouring. Each figure is uniquely portrayed, with exaggerated features and expressive gestures adding to the overall charm of the scene. Amidst all the hustle and bustle, one cannot help but notice Johnny Quae Genus himself—a mischievous-looking young man who seems to be enjoying himself immensely. His playful antics bring an element of fun to this otherwise mundane agricultural activity. This satirical portrayal not only entertains but also offers insight into 19th-century social dynamics and cultural practices surrounding sheep-shearing in Britain. It serves as a reminder that art can both amuse us and provide valuable historical context. Displayed at The Metropolitan Museum of Art, this print stands as a testament to Rowlandson's skillful storytelling through visual means. It invites viewers to step back in time and immerse themselves in an era where literature, humor, agriculture, and art intersected seamlessly.

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