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Punyaki Ragini, the Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1700 Creator: Unknown

Punyaki Ragini, the Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1700 Creator: Unknown


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Punyaki Ragini, the Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1700 Creator: Unknown

Punyaki Ragini, the Fourth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1700

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Media ID 36346476

© Heritage Art/Heritage Images

1700s Alms Ascetic Bilaspur Charitable Charity Coin Coinage Currency Folio Fourth Wife Giving Himachal Pradesh Mendicant Opaque Watercolor And Gold On Paper Ragamala Ragamala Painting Ragini Ragmala South East Asia Southeast Asia Southeast Asian Wife Wives


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> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Still life artwork > Watercolor paintings > Portrait paintings

> Arts > Realistic drawings > Portrait drawings > Fine art

> Arts > Watercolor paintings > Portrait watercolors > Fine art gallery

> Arts > Watercolor paintings > Portrait watercolors > Portraits of women in watercolors

> Arts > Watercolor paintings > Portrait watercolors > Watercolor portrait artists

> Arts > Watercolor paintings > Portrait watercolors


EDITORS COMMENTS
This exquisite folio from a Ragamala (Garland of Melodies) painting depicts Punyaki Ragini, the Fourth Wife of Bhairava Raga. The painting, created in the 18th century, likely originated from the Indian subcontinent, possibly in Himachal Pradesh or Bilaspur. The scene unfolds outdoors, with three figures gathered in front of a building. The central figure, Punyaki Ragini, is a young woman dressed in vibrant green clothing, symbolizing fertility and new beginnings. She is shown in an ascetic pose, with her hands outstretched in a gesture of giving, suggesting that she is seeking alms or charity. Her husband, Bhairava Raga, stands behind her, a man with a stern expression and a mendicant's robe. A coin, a symbol of finance and currency, is visible at their feet. The opaque watercolor and gold on paper technique adds a richness and depth to the image, transporting us to another time and place. This painting is a rare and beautiful example of the Ragamala tradition, which originated in South East Asia and was popular in Hindu and Jain traditions. It is now part of the collection at the Los Angeles County Museum of Art (LACMA), a testament to its cultural and artistic significance.

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