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Portrait of a Woman, probably Jacobmina de Grebber (?-1666), 1652. Creator: Anthonie Palamedesz

Portrait of a Woman, probably Jacobmina de Grebber (?-1666), 1652. Creator: Anthonie Palamedesz


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Portrait of a Woman, probably Jacobmina de Grebber (?-1666), 1652. Creator: Anthonie Palamedesz

Portrait of a Woman, probably Jacobmina de Grebber (?-1666), 1652. Other Title(s): Portrait of a Woman, probably Jacobmina de Grebber (?-1666)Portrait of Caecilia van Beresteyn (1589-1661). Wife of Pieter de Witte

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Media ID 36328094

© Heritage Art/Heritage Images

Anthonie Palamedesz Bonnet Neck Ruff Palamedesz Anthonie Ruff Wives


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Charadriiformes > Sandpipers > Ruff

> Arts > Art Movements > Baroque

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Netherlands > Paintings

> Europe > Netherlands > Posters

> Europe > Netherlands > Related Images

> Historic > Historical fashion trends > Baroque fashion trends


EDITORS COMMENTS
This stunning 17th century portrait, titled "Portrait of a Woman, probably Jacobmina de Grebber (?-1666)" by Anthonie Palamedesz, captivates the viewer with its rich colors and intricate details. The woman, dressed in the latest Baroque fashion, sits confidently on a plush chair, her direct gaze challenging the onlooker. Her elegant attire, featuring a voluminous dress, a high neck ruff, and a fashionable bonnet adorned with lace, reflects the opulence and sophistication of the Dutch Golden Age. The portrait, which was previously attributed to Pieter Anthonisz. van Bronckhorst, has been re-identified as a work by Anthonie Palamedesz based on recent art historical research. The identity of the woman remains a subject of debate among scholars, with some suggesting she may be Jacobmina de Grebber, while others propose Caecilia van Beresteyn, wife of Pieter de Witte. Regardless of her true identity, the portrait is a testament to the artistic skill and mastery of Palamedesz, who expertly captures the subtle play of light and shadow on the woman's face and clothing. The portrait, now housed in the Rijksmuseum in Amsterdam, is a valuable addition to the heritage of European art and a reminder of the rich cultural heritage of the Low Countries during the Baroque era.

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