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Portrait of a Scholar or Preacher, 1529. Creator: Unknown

Portrait of a Scholar or Preacher, 1529. Creator: Unknown


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Portrait of a Scholar or Preacher, 1529. Creator: Unknown

Portrait of a Scholar or Preacher, 1529. The cap is of a type worn by scholars and preachers, among others, and the small book that the sitter holds could be a devotional work or, if he is a scholar, his own publication. A fur-lined mantle was not a luxury: houses were poorly heated in winter, and everyone dressed warmly inside, especially if seated for long periods. The sitter's hand appears to be intentionally presented as deformed. At this period, deformities were generally viewed as a sign of divine disfavor. The inclusion of this hand may be the sitter's way of signaling his acceptance of divine will.
Setting the figure off against a flat colour background is a striking and typical feature of German painting at this period

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Media ID 36366194

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1520s Cloak Devotion Devotional Fur Lined Mens Fashion Menswear Preacher Preaching Scholar Stubble Unshaven Walters Art Museum


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> Arts > Artists > S > Walter Smalling

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Germany > Paintings


EDITORS COMMENTS
This portrait, titled "Portrait of a Scholar or Preacher," dates back to the 1520s and is an excellent representation of German painting during the 16th century. The sitter is depicted wearing a cap typical of scholars and preachers, holding a small book that could be a devotional work or, if he is a scholar, his own publication. The fur-lined mantle around his shoulders was a necessity in poorly heated houses, especially during long winter sessions. The sitter's hand, intentionally presented as deformed, was a common sign of divine disfavor during this period. The inclusion of this hand may be the sitter's way of signaling his acceptance of divine will. The figure is set against a flat, colorful background, a striking and typical feature of German painting during this time. The sitter's attire includes a black cap, a black cloak with fur lining, and a simple tunic. His facial hair is unshaven, and he has a direct gaze, making for an intense and thought-provoking portrait. The portrait's oil on panel technique showcases the artist's skill and attention to detail, making it a valuable addition to any art collection. The portrait's subject remains unknown, but the image invites us to ponder the sitter's identity and motivations. Was he a scholar, deeply engrossed in his studies, or a preacher, sharing his wisdom with others? Whatever his role, this portrait is a testament to the fashion and art of the 16th century, offering a glimpse into the past and a reminder of the enduring power of art to captivate and inspire.

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