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Pontoon-bridge on the Prah, c1880. Artist: W. P

Pontoon-bridge on the Prah, c1880. Artist: W. P


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Pontoon-bridge on the Prah, c1880. Artist: W. P

Pontoon-bridge on the Prah, c1880. Episode of the Third Anglo-Ashanti War (1873-1874). From British Battles on Land and Sea, Vol. III, by James Grant. [Cassell Petter & Galpin, London, Paris & New York, c1880]

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Media ID 14997225

© The Print Collector

Anglo Ashanti Wars Asante Ashanti British Battles On Land And Sea Cassell Petter Galpin Ghana Grant James Grant Petter Galpin Pontoon Bridge Cassell


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> Africa > Ghana > Related Images

> Arts > Artists > Related Images

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Landscape paintings

> Arts > Literature > Books

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print takes us back to the late 19th century, showcasing a pontoon-bridge on the Prah River during the Third Anglo-Ashanti War. The artist, W. P. , skillfully captures both the scenic beauty of Africa's landscape and the historical significance of this military conflict. The image transports us to a time when Britain was engaged in territorial disputes with Ashanti in what is now Ghana. The bridge itself stands as a symbol of British ingenuity and determination, allowing troops to traverse this formidable river and gain an advantage over their adversaries. As we gaze at this monochrome engraving, we can't help but be drawn into its rich historical context. It serves as a reminder of how geography played a crucial role in shaping military strategies during that era. The presence of people scattered along the bridge adds depth to the scene, evoking thoughts about their experiences amidst war-torn surroundings. This print not only offers insight into significant events but also sparks our imagination about individual stories that unfolded during those tumultuous times. Preserved within these lines are fragments of literature from James Grant's book "British Battles on Land and Sea" which further enhances our understanding of this particular episode in history. As we contemplate this artwork by The Print Collector29, it becomes clear that it holds immense value for anyone interested in exploring both African heritage and British colonialism through visual arts.

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