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The Political Pas de Deux, 1878 (1895)
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The Political Pas de Deux, 1878 (1895)
The Political Pas de Deux, 1878 (1895). Lord Salisbury and Disraeli, both admitted to the Order of the Garter for their efforts at the Congress of Berlin, held to re-draw the map of the Balkans after the Russo-Turkish War of 1877-1878. Prime Minister Disraeli had made his acceptance of the honour conditional on Lord Salisbury, then Foreign Secretary, receiving it as well. From the finished pencil drawing for the Punch cartoon. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895
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Media ID 14947119
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Balkans Beaconsfield Benjamin Benjamin Disraeli Congress Conservative Conservative Party Diplomacy Disraeli Dizzy Earl Of Beaconsfield Foreign Secretary Gascoyne Cecil John Tenniel Knight Knight Of The Garter Lord Lord Beaconsfield Partnership Prime Minister Print Collector9 Robert Arthur Robert Arthur Talbot Salisbury Sir John Tenniel Talbot Gascoyne Cecil Tenniel Togetherness Viscount Hughendon Of Hughendon Congress Of Berlin Metaphor Pas De Deux
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EDITORS COMMENTS
The Political Pas de Deux, 1878 (1895) captures a significant moment in British political history. The print showcases the renowned cartoonist Sir John Tenniel's artistic talent as he depicts Lord Salisbury and Benjamin Disraeli engaged in a metaphorical dance of diplomacy. Both statesmen were admitted to the prestigious Order of the Garter for their instrumental roles during the Congress of Berlin. This congress aimed to redraw the map of the Balkans following the Russo-Turkish War, which took place between 1877 and 1878. Prime Minister Disraeli had insisted that his acceptance of this honor was contingent upon Lord Salisbury, then Foreign Secretary, receiving it as well. In this image, we witness two powerful figures gracefully dancing together on a stage adorned with symbols representing their conservative party and crown. Their synchronized steps symbolize not only their partnership but also their shared vision for Britain's diplomatic endeavors. The print serves as both a political caricature and satire, highlighting these prominent politicians' influence on Victorian politics. It is an intriguing snapshot into nineteenth-century British society where art seamlessly intertwines with politics. This remarkable piece from The Magazine of Art allows us to delve into historical events while appreciating Tenniel's skillful pencil drawing technique. As we observe this visual representation of unity and collaboration amidst political challenges, we are reminded that even in times of complexity, great leaders can find harmony by stepping in sync with one another towards common goals.
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