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Poem by Chunagon Atsutada (Fujiwara no Asatada), from the series One Hundred Poems
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Poem by Chunagon Atsutada (Fujiwara no Asatada), from the series One Hundred Poems
Poem by Chunagon Atsutada (Fujiwara no Asatada), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), 1921
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Media ID 20550488
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Candle Candles Curse Hammer Hammering Hokusai Hokusai Katsushika Hokusai Tokimasa Ink And Color On Paper Kako Katsushika Katsushika Hokusai Nail Nails Poem Saki No Shunrō Sorobeku Tatsumasa Tools Wind Windy Zen No Poetry Polychrome Woodblock Print
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This woodblock print by Hokusai, titled "Poem by Chunagon Atsutada (Fujiwara no Asatada), from the series One Hundred Poems Explained by the Nurse" transports us to 18th century Japan. The print is a part of the Metropolitan Museum of Art's collection and showcases Hokusai's mastery in ukiyo-e, a popular art form during the Edo period. In this scene, we see a serene night illuminated by candlelight as a woman delicately hammers nails into a tree. The wind blows fiercely, symbolizing an unusual weather pattern that adds intrigue to the composition. The artist skillfully captures both the beauty of nature and human activity in one frame. The poem written by Chunagon Atsutada further enhances our understanding of this artwork. It speaks of curses and sorrows embedded within trees, hinting at deeper philosophical themes prevalent in Japanese literature at that time. Hokusai's use of polychrome techniques brings vibrant colors to life on paper, creating an enchanting visual experience for viewers. Every detail is meticulously crafted with ink and color, showcasing his dedication to his craft. As we admire this piece from centuries ago, it serves as a reminder of Japan's rich artistic heritage and its ability to transcend time through masterpieces like these.
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