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The Pilgrims Rest, caricature af Paul Kruger, South African politician, 1900. Artist: John Tenniel
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The Pilgrims Rest, caricature af Paul Kruger, South African politician, 1900. Artist: John Tenniel
The Sinking Ship, caricature af Paul Kruger, South African politician, 1900. Known as Oom (uncle) Paul, Stephanus Johannes Paulus Kruger (1825-1904) was President of the Transvaal or South African Republic from 1883. In the 2nd Boer War (1899-1900), Kruger was too old and unwell to take an active role in the field and he moved to the Netherlands. Cartoon from Punch Cartoon from Punch showing Kruger rowing away from a sinking ship representing the Transvaal. (London, 19 September 1900)
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Media ID 14835770
© Ann Ronan Picture Library / Heritage-Images
1899 1902 Abandoning Ship Afrikaner Aged Boer Boer War Boers Disappointed Disappointment Dismay Elderly Escaping John Tenniel Kruger Leader Leaving Oom Paul Paul Paul Kruger President Rowing Rowing Boat Sinking Sir John Tenniel South Africa South African Stephanus Johannes Paulus Kruger Tenniel Top Hat Transvaal Unhappiness Unhappy Ann Ronan Pictures Deserting
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The Pilgrims Rest - A Satirical Depiction of Paul Kruger, South African Politician
EDITORS COMMENTS
. This print captures the essence of political turmoil during the late 19th century in South Africa. The caricature, created by renowned artist John Tenniel, portrays Stephanus Johannes Paulus Kruger, affectionately known as Oom (uncle) Paul. As President of the Transvaal or South African Republic from 1883, Kruger played a significant role in shaping the region's history. The image depicts Kruger rowing away from a sinking ship that symbolizes the Transvaal. This poignant metaphor represents his departure to the Netherlands during the devastating Second Boer War (1899-1900), where he was unable to actively participate due to age and ill health. Kruger's disappointment and dismay are evident on his bearded face as he navigates a small rowing boat wearing his iconic top hat. His elderly figure reflects both wisdom and vulnerability amidst this turbulent period in South African politics. This satirical portrait serves as a powerful commentary on Kruger's leadership and decision-making during times of crisis. It encapsulates themes such as abandonment, unhappiness, and desertion while shedding light on broader concepts like war and political disillusionment. As an engraving from Punch magazine published in London in September 1900, this print offers valuable insight into historical events that shaped not only South Africa but also international relations at the turn of the 20th century.
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