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Two people in an interior, possibly Maria de Medici and Cardinal de Richelieu, 1833-1890. Creator: Johan Coenraad Leich
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Two people in an interior, possibly Maria de Medici and Cardinal de Richelieu, 1833-1890. Creator: Johan Coenraad Leich
Two people in an interior, possibly Maria de Medici and Cardinal de Richelieu, 1833-1890. In the background, a man peeks from behind a curtain
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Media ID 36353763
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Armand Jean Du Plessis Richelieu Armand Jean Duplessis Cardinal Cardinal Richelieu Duc De Richelieu Duke Duplessis Armand Jean Eavesdropping Ink On Paper Listening Maria De Medici Nobility Noblewoman Richelieu Armand Jean Du Plessis Richlieu Speaking Talking Thinking
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EDITORS COMMENTS
Two People in an Interior: A 17th Century Encounter between Maria de Medici and Cardinal Richelieu, as Depicted by Johan Coenraad Leich (1833-1890) This pencil drawing by Dutch artist Johan Coenraad Leich, created between 1833 and 1890, invites us into an intimate moment in the richly furnished interior of a European aristocratic residence. The central figures are two prominent historical figures: Maria de Medici, the Italian noblewoman and former Queen of France, and Cardinal Armand Jean du Plessis, Richelieu. Maria de Medici, dressed in the elegant attire of the time, sits in a sumptuous chair, her eyes focused intently on the cardinal, who stands before her. He appears deep in conversation, his back turned to the room, oblivious to the curious figure in the background who peeks from behind a curtain. The man's presence adds an element of intrigue and suspense, suggesting that this is a pivotal moment in their relationship. The atmosphere of the room is filled with the opulence and grandeur of the aristocracy. The furniture, with its intricate carvings and rich colors, speaks to the wealth and power of those who inhabit it. The use of ink and pencil on paper adds depth and texture to the drawing, bringing the scene to life and transporting us back to a time of nobility, religion, and intrigue. The religious undertones of the scene are evident in the Catholic iconography that adorns the walls and in the somber attire of the cardinal, a symbol of his religious and political power. The drawing also highlights the cultural exchange between Italy and France during this period, as Maria de Medici represents the Italian influence, while Richelieu embodies the French. This work of art is a testament to the rich heritage of European art and the intriguing history of its people. It invites us to ponder the complex relationships between power, religion, and human emotion that defined the 17th and 18th centuries.
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