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A Party Viewing the Moon Across the Sumida River, c. 1787. Creator: Torii Kiyonaga
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A Party Viewing the Moon Across the Sumida River, c. 1787. Creator: Torii Kiyonaga
A Party Viewing the Moon Across the Sumida River, c. 1787
Heritage Images features heritage image collections
Media ID 24374467
© Heritage Art/Heritage Images
Balconies Balcony Blind Blinds Evening Fans Hand Held Heater Heating Hibachi Kiyonaga Torii Lantern Lanterns Musicians Oban Triptych River Sumida Samisen Shamisen Sumida Sumida River Sun Blind Torii Kiyonaga Triptych Veranda Verandah Colour Woodblock Print Estuary Musical Instruments Tokugawa Period
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A Party Viewing the Moon Across the Sumida River, c. 1787
EDITORS COMMENTS
is a captivating woodblock print by Torii Kiyonaga that transports us to a vibrant scene in 18th century Japan. The artwork depicts a group of elegantly dressed women gathered on a veranda overlooking the picturesque Sumida River during an enchanting evening. The artist skillfully captures the essence of this cultural gathering, showcasing intricate architectural features and traditional elements unique to the Edo period. The women are seen enjoying themselves, engrossed in conversation and music played on samisens (Japanese musical instruments). Their colorful kimonos and delicate fans add splashes of vivid hues against the backdrop of lantern-lit balconies. As darkness falls, sun blinds are drawn down to create an intimate atmosphere while providing relief from both light and prying eyes. A hibachi (heater) warms their surroundings as they revel in each other's company under moonlight filtering through bamboo blinds. Kiyonaga's attention to detail brings life to every aspect of this exquisite composition - from the flowing river reflecting moonbeams to the gentle glow cast by lanterns along its banks. This triptych print showcases not only his artistic prowess but also offers us a glimpse into Japanese heritage art during Tokugawa period. Displayed at Art Institute Chicago, "A Party Viewing the Moon Across the Sumida River" stands as a testament to Kiyonaga's mastery in ukiyo-e printing technique and
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