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Nubie. Ibsamboul. Partie septentrionale du Speos d Hathor, 1850

Nubie. Ibsamboul. Partie septentrionale du Speos d Hathor, 1850


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Nubie. Ibsamboul. Partie septentrionale du Speos d Hathor, 1850

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Media ID 20133521

© Heritage Art/Heritage Images

Abu Simbel Abu Simbel As Said Egypt Ancient Egypt Archaeological As Said Camp Camp Maxime Du Deities Du Camp Du Camp Maxime Gods Hemi Speos Hemispeos Maxime Maxime Du Maxime Du Camp Monumental Nubia Nubia Egypt Pharaoh Pharaohs Salted Paper Print Speos Temple Of Abu Simbel Temple Of Hathor Ancient Egyptian Mizraim


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Egypt Heritage Sites > Nubian Monuments from Abu Simbel to

> Architecture > Country > France

> Architecture > Religious

> Architecture > Styles > Ancient Egyptian Architecture

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Europe > France > Royalty

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Religious Art > Religious Architecture > Temples

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print captures the majestic beauty of the northern part of the Speos d Hathor in Nubie, Ibsamboul. Taken by Maxime du Camp in 1850, this image showcases the remarkable architecture and artistry of ancient Egypt. The photograph transports us to a different time and place, where we can witness the grandeur of an archaeological site steeped in history. The monumental temple of Abu Simbel stands proudly against a backdrop of rocky landscapes, symbolizing the power and influence of pharaohs who once ruled over this land. As we gaze upon this image, we are reminded of the religious significance that permeated every aspect of ancient Egyptian life. Statues depicting deities line the exterior walls while sculptures pay homage to gods and goddesses worshipped by generations past. Du Camp's skillful use of photography allows us to appreciate not only the intricate details but also the vastness and scale of these structures. The salted paper print technique adds a timeless quality to this piece, enhancing our connection with both its subject matter and its historical context. Preserved within these frames is not just a photograph but also a testament to human ingenuity and artistic expression. It serves as a reminder that even centuries later, ancient civilizations continue to captivate our imagination through their architectural marvels.

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Related Images


Nubie. Ibsamboul. Entree du Speos d Hathor, 1850. Creator: Maxime du Camp
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Moitie de la facade du Speos d Athor, a Abousembil (partie mé
Moitie de la facade du Speos d Athor, a Abousembil (partie mé

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