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The Next Novelty, 1858
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The Next Novelty, 1858
The Next Novelty, 1858. Another on Punchs regular prods at the world of womens fashion. At the time when the crinoline was the height of fashion, Punch was able to adapt it in numerous ways to show a variety of uses for the garment. Here, both horse and rider can be covered by the same skirt. From Punch, or the London Charivari, November, 1858
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Media ID 14829223
© The Print Collector / Heritage-Images
Crinoline Heritage Image Partnership Novelty Ridicule Ridiculous Riding Crop Silly Whip
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The Next Novelty, 1858
EDITORS COMMENTS
is a captivating snapshot of the Victorian era's fascination with fashion and satire. This engraving from Punch magazine showcases the absurdity of women's clothing trends during that time. In this comical scene, a woman on horseback dons an enormous crinoline skirt that not only covers her but also extends to envelop her trusty steed. The image humorously highlights the lengths to which women went to conform to societal expectations of elegance and femininity. The exaggerated size of the crinoline emphasizes its impracticality, as it becomes both a garment and a makeshift shelter for both rider and horse alike. Punch magazine was renowned for its ability to satirize contemporary issues, including fashion trends. By playfully mocking these conventions through cartoons like "The Next Novelty" they offered social commentary while providing entertainment for their readership. This print serves as a reminder of how fashion can often be dictated by whims rather than practicality or comfort. It invites us to reflect on our own society's obsession with novelty and conformity in clothing choices. As we gaze upon this heritage image, we are transported back in time to witness the wit and creativity employed by artists such as Unknown (creator) in capturing moments that continue to resonate today.
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