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No. 3 (san), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800. Creator: Kitagawa Utamaro. No. 3 (san), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800)
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No. 3 (san), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800. Creator: Kitagawa Utamaro. No. 3 (san), from the series "Women Engaged in the Sericulture Industry (Joshoku... c. 1798/1800)
No. 3 (san), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)", Japan, c. 1798/1800
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Media ID 36221061
© Heritage Art/Heritage Images
Barrel Barrels Cleaning Kitagawa Utamaro Sericulture Silk Farming Silkworm Textile Industry Utamaro Utamaro Kitagawa Washing Women At Work
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EDITORS COMMENTS
No. 3 (san) from the series 'Women Engaged in the Sericulture Industry' (Joshoku kaiko tewaza-gusa) by Kitagawa Utamaro, c. 1798/1800, is a captivating color woodblock print that offers a glimpse into the daily life of women during the Edo period (1603-1868) in Japan, specifically those involved in the sericulture industry. The print depicts three women, dressed in traditional Japanese clothing, engaged in various tasks related to silk farming. In the foreground, a woman is shown cleaning and sorting through barrels of silk cocoons, while another woman, dressed in a pink kimono, sits at a table, possibly writing calligraphy or recording data related to the silk production. A third woman, wearing a green kimono, stands nearby, holding a basket of freshly washed clothes. The women's faces express a range of emotions, from concentration to relaxation, adding depth and personality to the scene. The print's vibrant colors, intricate details, and dynamic composition are characteristic of the ukiyo-e artistic style, which flourished during the eighteenth century in Japan. The oban-size print, with its rich textures and bold lines, invites the viewer to explore the intricacies of the textile industry during this period. The women's traditional dresses, adorned with intricate patterns and elegant designs, are a testament to the importance of clothing and fashion during the Edo period. This print is a valuable addition to any collection of Asian art, and its depiction of women at work in the sericulture industry provides a unique perspective into the daily life and cultural traditions of Japan during the eighteenth century. The Art Institute of Chicago is fortunate to have this stunning work in its collection, where it can be appreciated by art lovers and scholars alike.
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