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The Twelve Months, between 1900 and 1918. Creator: Watanabe Seitei
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The Twelve Months, between 1900 and 1918. Creator: Watanabe Seitei
The Twelve Months, between 1900 and 1918
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Media ID 36251347
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Botanical Botany Butterflies Butterfly Cernuschi Museum Colors Pigments Dandelion Ink On Silk Insect Insects March Month Musee Cernuschi Nihonga School Seitei Watanabe Spring Taraxacum Watanabe Seitei Wild Flower Wild Flowers Wildflower Wildflowers Wildlife Yoshikawa Yoshimata
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EDITORS COMMENTS
Watanabe Seitei's captivating work, titled "The Twelve Months," between 1900 and 1918, showcases the beauty and diversity of the natural world across the seasons. This exquisite ink on silk painting, a masterpiece of the Nihonga school, transports us to a time when the simple pleasures of nature held great allure. In the third month image, we find ourselves in a serene landscape, where the vibrant colors of springtime are in full bloom. A winding road leads us through a lush, green landscape, dotted with wildflowers, including the iconic dandelion, or Taraxacum, its yellow petals unfurling in the gentle breeze. The foreground is dominated by a large, elegant butterfly, its wings a riot of colors, a testament to the artist's deft use of pigments. In the background, we see the first signs of modernity creeping in, with the emergence of motor cars on the road. The juxtaposition of the traditional and the modern is a striking reminder of the passage of time. The painting is a testament to Watanabe Seitei's mastery of the Nihonga style, with its emphasis on naturalism and the use of traditional materials such as ink and silk. The Cernuschi Museum in Paris, where this painting is housed, is a treasure trove of Asian art and a fitting home for this beautiful work. As we gaze at this painting, we are transported to a time when the simple pleasures of nature and the changing of the seasons held great significance. The Twelve Months is a reminder of the rich artistic heritage of Japan and the beauty of the natural world, which continues to inspire and captivate us to this day.
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