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The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four... c. 1768. Creator: Suzuki Harunobu. The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four... c. 1768
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The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four... c. 1768. Creator: Suzuki Harunobu. The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four... c. 1768
The Third Month (Sangatsu), from the series "Popular Versions of Immortal Poets in Four Seasons (Fuzoku shiki kasen)", c. 1768
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Aquatic Life Beach Chuban Collecting Harunobu Harunobu Suzuki Month Olive Green Seashell Shell Shore Suzuki Harunobu Waters Edge
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EDITORS COMMENTS
The Third Month (Sangatsu)," from Suzuki Harunobu's series "Popular Versions of Immortal Poets in Four Seasons," c. 1768, is a stunning color woodblock print that captures the essence of the third month in Japan during the eighteenth century. The print features a young woman dressed in traditional clothing, standing at the edge of a serene beach, surrounded by the beauty of nature. The woman wears a beautiful olive green kimono, adorned with intricate patterns and a vibrant green obi (sash). She holds a seashell to her ear, listening to the gentle sounds of the ocean. The olive green color dominates the print, symbolizing the freshness and renewal of the third month. At the waterside, we see a variety of aquatic life, including fish and crabs, adding to the lively atmosphere of the scene. The woman's graceful pose and the peaceful surroundings evoke a sense of tranquility and harmony with nature. Harunobu's masterful use of color and detail in this chuban (medium-sized) print is a testament to his artistic skill. The print is a valuable heritage piece, reflecting the artistic school and cultural traditions of Japan during the eighteenth century. The Third Month (Sangatsu) is a beautiful and evocative representation of the changing seasons and the beauty of nature in Japan. It is a must-see for anyone interested in Asian art, particularly ukiyo-e (floating world) and woodblock prints. This print is currently housed in the Art Institute of Chicago, where it continues to inspire and captivate visitors from around the world.
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