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The Misanthrope Robbed by the World, from Twelve Flemish Proverbs, ca. 1568

The Misanthrope Robbed by the World, from Twelve Flemish Proverbs, ca. 1568


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The Misanthrope Robbed by the World, from Twelve Flemish Proverbs, ca. 1568

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Media ID 20573331

© Heritage Art/Heritage Images

Breugel Breugel Pieter Bruegel Bruegel Pieter The Elder Brueghel Brueghel Peter Brueghel Pieter The Elder Hans Wierix Hooded Jan Wierix Johan Wierix Johannes Wierix Lower Case Peter Brueghel Peter Brueghel The Elder Pieter Pieter Breugel Pieter Bruegel I Pieter Bruegel The Elder Pieter Brueghel The Elder Pieter The Elder Proverb Robber Robbery The Elder Theft Wierix Wierix Jan Windmill World Misanthrope Misanthropy Netherlandish


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> Arts > Artists > B > Pieter The Elder Brueghel

> Arts > Artists > Pieter Bruegel the Elder > Bruegel paintings

> Arts > Artists > Pieter Bruegel the Elder

> Arts > Artists > W > Johan Wierix

> Arts > Artists > W > Johannes Wierix

> Historic > Renaissance art > Portraits in renaissance art

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Breugel


The Misanthrope Robbed by the World - A Glimpse into 16th Century Flanders

EDITORS COMMENTS
. This print, titled "The Misanthrope Robbed by the World" takes us back to the vibrant streets of 16th century Flanders. Created around 1568 by Jan Wierix, this engraving is a remarkable example of Renaissance artistry. In this scene, we witness a circular composition that draws our attention to a hooded figure representing the misanthrope - someone who distrusts and dislikes humanity. The misanthrope stands at the center, surrounded by various people engaged in everyday activities. However, hidden within this seemingly ordinary scene lies an intriguing story. As we delve deeper into the details, we notice a crime unfolding before our eyes. A robber cunningly snatches away something precious from the misanthrope's grasp while he remains oblivious to his surroundings. This powerful visual metaphor reminds us of how easily one can fall victim to deceit and betrayal in an ever-changing world. The meticulous lettering at the bottom adds another layer of meaning as it presents one of Twelve Flemish Proverbs associated with Pieter Bruegel's works. These proverbs often served as moral lessons or satirical commentary on human behavior during that era. Preserved in The Metropolitan Museum of Art, this historical artwork not only showcases Wierix's exceptional skill but also offers us a glimpse into life during Renaissance Flanders – its bustling streets

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