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Minashi-gai, shio-gai, katatsu-gai, miso-gai, chijimi-gai, and chigusa-gai, from the illus... 1789. Creator: Kitagawa Utamaro
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Minashi-gai, shio-gai, katatsu-gai, miso-gai, chijimi-gai, and chigusa-gai, from the illus... 1789. Creator: Kitagawa Utamaro
Minashi-gai, shio-gai, katatsu-gai, miso-gai, chijimi-gai, and chigusa-gai, from the illustrated book "Gifts from the Ebb Tide (Shiohi no tsuto)", Japan, 1789
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Media ID 36211553
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Aquatic Life Assorted Assortment Beach Double Page Double Page Illustration From Book Gift Gifts From The Ebb Tide Kitagawa Utamaro Low Tide Natural History Olive Green Page Present Seashell Seashore Seaweed Shell Shore Tide Utamaro Utamaro Kitagawa Variety
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Minashi-gai, Shio-gai, Katatsu-gai, Miso-gai, Chijimi-gai, and Chigusa-gai
EDITORS COMMENTS
is a captivating double-page illustration from Kitagawa Utamaro's renowned work, "Gifts from the Ebb Tide" (Shiohi no Tsuto), created in Japan during the late eighteenth century. This masterpiece, a prime example of Ukiyo-e art, is currently housed at the Art Institute of Chicago. The image showcases an assortment of marine life and natural treasures gathered from the seashore during low tide. The central focus is on six distinct groups: Minashi-gai (shellfish), Shio-gai (saltwater fish), Katatsu-gai (crustaceans), Miso-gai (fish preserved in miso), Chijimi-gai (shells with intricate patterns), and Chigusa-gai (various types of seaweed). Utamaro's meticulous attention to detail is evident in the close-up depiction of each item, making the viewer feel as if they are right there on the beach, exploring the wonders of the natural world. The aquatic life is presented in vibrant colors, with Minashi-gai boasting a black and olive green color palette, while Shio-gai is depicted in various shades of green. The illustration is a testament to the artistic school of the time, which emphasized the beauty of everyday life and the natural world. The intricate calligraphy that accompanies the image further enhances the overall aesthetic, making it a valuable addition to any art collection or gallery. This double-page print from the Edo period is not only a significant piece of Japanese literature but also a scientific record of the natural history of the time. It is a reminder of the rich artistic heritage of Asia and the fascination with the wonders of the natural world that continues to inspire artists and scholars alike.
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