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Medieval wall painting, (1898). Creator: Unknown
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Medieval wall painting, (1898). Creator: Unknown
Medieval wall painting, (1898). Figs 1 and 2: From the apsis of the Basilica di S. Angelo in Formis near Capua, 11th century. Figs 3-5: From the chapter-house of the former Benedictine-abbey Brauweiler near Cologne, 11th century. Figs 6-9: From the lower church at Schwarz-Rheindorf near Bonn, mid 12th century. Figs 10, 11 and 15: From the choir of the cathedral at Braunschweig, 12th century. Fig 12: From the former abbey-church at Marcigny, 12th century. Figs 13 and 14: From the church at Anzy, 12th century. Figs 16 and 17: From the lower church S. Francesco at Assisi. Plate 36 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
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Media ID 19777928
© The Print Collector/Heritage Images
11th Century B T Batsford Batsford Bt Batsford Chromolithograph Dolmetsch Eleventh Century H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Illuminated Manuscript Max Seeger Seeger Stylised Symmetrical Symmetry Wall Painting Winged Figure Flowered Interior Decoration Interior Design
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EDITORS COMMENTS
This print showcases a collection of medieval wall paintings, offering a glimpse into the rich artistic heritage of Europe. The unknown creator skillfully captured these remarkable works of art, dating back to the 11th and 12th centuries. The first two figures depict scenes from the apsis of the Basilica di S. Angelo in Formis near Capua, Italy. Moving on, figures three to five showcase intricate designs found in the chapter-house of the former Benedictine-abbey Brauweiler near Cologne, Germany. Figures six to nine highlight stunning artwork from the lower church at Schwarz-Rheindorf near Bonn. Continuing our journey through time and space, we encounter figures ten, eleven, and fifteen originating from the choir of the cathedral at Braunschweig in Germany. Figure twelve transports us to France with its depiction from the former abbey-church at Marcigny. Figures thirteen and fourteen present exquisite details from a church in Anzy while figures sixteen and seventeen take us to Italy's lower church S. Francesco at Assisi. This plate is part of "The Historic Styles of Ornament" translated by H. Dolmetsch in 1898 - an invaluable resource for anyone interested in medieval art history. The lithograph beautifully captures each painting's color palette and design elements while preserving their historical significance. With this print adorning your walls or within your personal collection, you can appreciate these masterpieces that have stood as testaments to human creativity throughout centuries past.
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