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Means by which the large blocks of travertine and marble were lifted... 1756-57
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Means by which the large blocks of travertine and marble were lifted... 1756-57
Means by which the large blocks of travertine and marble were lifted during the construction of the large Tomb of Caecilia Metella, known today as Capo di Bove, 1756-57. [Modo, col quale furono alzati i grossi Travertini, e gli altri Marmi nel fabbricare il gran Sepolcro di Cecilia Metella, oggi detto Capo di Bove]. From Le Antichita Romane (Roman Antiquities), tome 3, tavola 53, published 1756-57
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Media ID 23870787
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Appian Way Archaeological Block Blocks Building Site Construction Construction Site Diagram Giovanni Battista Piranesi Hook Hooks Lifting Gear Marble Mausoleum Piranesi Giovanni Battista Pulley Pulley Block Pulleys Roman Road Rome Lazio Italy Rope Tomb Of Caecilia Metella Travertine Via Appia Ancient Roman
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EDITORS COMMENTS
This print takes us back to the 18th century, providing a glimpse into the means by which large blocks of travertine and marble were lifted during the construction of the grand Tomb of Caecilia Metella. Known today as Capo di Bove, this ancient Roman mausoleum stands as a testament to both architectural brilliance and engineering ingenuity. The image showcases an etching by Giovanni Battista Piranesi from his renowned work "Le Antichita Romane" (Roman Antiquities). It presents a detailed diagram illustrating the sophisticated lifting gear employed at the building site. Pulleys and pulley blocks are prominently featured, connected by ropes that enabled workers to hoist these massive stones with precision. As we delve into this archaeological marvel, we can't help but appreciate how technology has evolved over time. This snapshot transports us to an era where manual labor was essential in constructing monumental structures like this tomb along Rome's famous Appian Way. With its rich historical significance, it is no wonder that The Metropolitan Museum of Art houses this remarkable piece within its collection. Through Piranesi's artistry, we are reminded of the immense craftsmanship required for such endeavors while also gaining insight into ancient Roman culture and their reverence for death and burial practices. Intriguingly captured in black and white, this print allows us to immerse ourselves in both past and present simultaneously – appreciating not only the beauty of architecture but also acknowledging our shared human history.
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